Sweet Serendipity
Up close and personal with Appalachian legends
Note: This is the seventh installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” Learn more here.
By Michael M. Barrick
Cover of Billy Edd Wheeler’s newest work
BLACK MOUNTAIN, N.C. – Considering the number of times that our family has seen Kathy Mattea in concert, it is a wonder that she does not have a restraining order against us. We behave, but we are enthusiastic. So, you can appreciate my delight at finding out that Ms. Mattea was going to be in Black Mountain this past Saturday at a legendary listening room, the White Horse Black Mountain.
My wife and I had a rare, impromptu opportunity to scoot out for a date, so I was snooping around on the web (it does have its value) and typed in her name. Up came up an event posting with this sign:
White Horse Black Mountain marquee
Immediately, I realized this wasn’t “simply” a Kathy Mattea concert; in addition, there was going to be Appalachian story-telling. As the marquee said in shorthand, Ms. Mattea was going to be there to converse with Billy Edd Wheeler. Mr. Wheeler, 85, had written songs that Ms. Mattea used on her album “Coal,” released in 2008. Three of the eleven songs were written by Mr. Wheeler – “Red Winged Blackbird,” “Coal Tattoo,” and “The Coming of the Roads.” The lyrics to Wheelers’ songs (and the others) can be found here. You can listen to Ms. Mattea’s version of “Coal Tattoo.”
Indeed, when that album was released, we saw Ms. Mattea in concert. That is one of the joys of her albums and concerts. They are often thematic, but she doesn’t forget what other songs her fans love. In any event, when I looked at the lineup, I knew we were in for a treat even better than a concert. We were going to hear from Appalachian artistic legends – if I could get tickets.
So, I called and was fortunate enough to score two of the last tickets. Sweet serendipity was in play now, so I was beginning to have a peaceful, anticipatory sense of what awaited us.
My instincts or whatever you care to call them were spot on. Douglas Orr, the president emeritus of Warren Wilson College, moderated a conversation with Mr. Wheeler about his new book, “Hotter Than a Pepper Sprout: A hillbilly poet’s journey from Appalachia to Yale writing hits for Elvis, Johnny Cash & more.”
Mr. Wheeler attended Warren Wilson on his winding path to Yale and a lifetime of writing hits for Appalachian legends. A member of the Nashville Songwriters Hall of Fame, Mr. Wheeler has written hits for Johnny Cash, Elvis Presley, Judy Collins, Neil Young, The Kingston Trio, Kenny Rogers and others.
He now lives in Swannanoa, N.C., but like Ms. Mattea, is a West Virginia native. So, the conversation meandered between the history and music of the Blue Ridge Mountains of North Carolina and the Allegheny Plateau that constitutes much of West Virginia. He and Ms. Mattea discussed with compassion and wisdom the complexity of singing about coal mining, alluding to the love/hate relationship that so many mountaineers have with coal. If you’d like more insight on that, read the “Coal” liner notes by Homer Hickam, another West Virginia native who grew up in coal country (Coalwood). He gained fame for his book, “Rocket Boys” about growing up in late 1950s West Virginia. It was made into the movie, “October Sky.”
It was a lovely diversion, much like slowly chugging down a gravel road is from the insanity of interstate driving. In other words, it was a great stop along the Hillbilly Highway. I suspect that if during your travels you happen to run into any of the folks we saw Saturday night, you will understand why I consider being called a hillbilly a compliment and a term of endearment.
Mr. Wheeler was understated – humble – in his responses, but he was also typically blunt, a trait not uncommon to West Virginians. Ms. Mattea, meanwhile also exemplified Mountaineer humility, demonstrating once again why we love her so. She is releasing her newest album, “Pretty Bird” on Sept. 7, though she’ll be previewing it on Mountain State at the closing of the Augusta Heritage Festival in Elkins, W.Va on Aug. 11. She never once mentioned either the album or concert.
It was clear that she cared about one thing – letting the 200-plus folks in attendance know just what Billy Edd Wheeler meant to her and all of Appalachia.
High Coal, W.Va. (top right hand corner) ©, 2015 DeLorme Atlas and Gazetteer of West Virginia
So, all ears were perked as Mr. Wheeler talked about his youth in High Coal (or Highcoal, depending upon who is spelling it). Though now abandoned, it is seen on the map in Boone County, near the junction with Raleigh and Kanawha counties – the heart of the deep, dark coalfields of southern West Virginia. It is near here that the West Virginia Mine Wars occurred a century ago and where Bill Blizzard, Mother Jones and thousands of others risked their lives to unionize the mines.
Between stories, Ms. Mattea and the band Whitewater Bluegrass would play one of Mr. Wheeler’s tunes after he had shared the history of it.
Essentially, it was what was once a typical summer evening in Appalachia. No air conditioning, lots of tall tales, toe-tapping music on the front porch and – at our house anyway – Pabst Blue Ribbon.
© Michael M. Barrick, 2018.
Note: I have no quotes from last Saturday, because I was there to enjoy time with my wife, listen to story-telling and music, and drink beer. At that, I succeeded. However, I’m not good at multi-tasking, so I couldn’t take notes. So, I will eventually write a review of Mr. Wheeler’s book – between PBRs. Or, if you prefer, you can get a copy at Black Mountain Books & Cases at 103 Cherry Street in Black Mountain.
Music along the Hillbilly Highway is ‘Handmade & Heartfelt’
Kay and Patrick Crouch have taught and inspired thousands of students and others in the region; they are also premier promoters of the music of Caldwell County and Southern Appalachia
By Michael M. Barrick
Note: This is the sixth installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” It is an abridged version of an article originally published in 2017. Learn more here.
The Grand Finale of a Caldwell Traditional Musicians Showcase
LENOIR, N.C. – Before we ride the Hillbilly Highway out of Caldwell County for now, our first leg of our tour along the Hillbilly Highway would be incomplete without first acknowledging a couple that have worked tirelessly to preserve and pass along Appalachia’s musical heritage – from Blues to Bluegrass and everything in between.
Handmade & Heartfelt
When I interviewed Kay and Patrick Crouch in 2017, just a few of weeks before the 19th Annual Caldwell Traditional Musicians Showcase, they were relaxed – the kind of relaxed that is rooted in two decades of experience – as they discussed preparations for the concert during a visit to their home studio. (The 20th Annual Showcase was held in 2018, and the 21st is already scheduled for March 9, 2019).
Patrick explained the genesis of the theme for 2017, “Handmade & Heartfelt.” He said, “Some years I have the title in my brain and then get the musicians that fit. This year, however, I had this group of people who I love and admire as people and musicians that I’ve been wanting to get on the show. So, it will feature various styles of music – some is original, but all comes from the heart.”
Everybody truly loves music. It is the universal language … .” – Patrick Crouch
The 19th Showcase included eight groups or individuals, including Strictly Clean and Decent, which is Patrick and Kay’s collaboration with Ron Shuffler. The total of musicians performing was about two dozen, in addition to members of the Caldwell Junior Appalachian Musicians performing traditional string music.
Pointing out that 19 years of experience of preparing and hosting the showcase has made it easier for them, Patrick shared, “Now we have a tradition established. I already know what we’re going to do for the 20th.”
Strictly Clean and Decent (Kay Crouch, Patrick Crouch, and Ron Shuffler) host the Annual Caldwell Traditional Musicians Showcase
Patrick and Kay acknowledged that not every one of the more than 200 musicians that have appeared in the showcase as of this year are Caldwell County residents, but all have roots to the county. “It’s the traditional music that’s the connection,” offered Kay. She continued, “It’s good to connect with folks from outside Caldwell County. The real value is that these folks see what we’re so proud of.”
Patrick shared, “It is unfathomable to think that more than 200 musicians who live in or have ties to Caldwell County have performed. Our goal was 100. After 10 years, we had reached 128. When we started this, this was our stage that we wanted to share. It is incredible to think about how many musicians we have shared that stage with.” Smiling, and looking at Kay, he added, “It’s just the tip of the iceberg. We have such a community of musicians here. It’s going to just keep growing.”
He continued, “Music flows. It flows from the performer. It’s not something you think about. It’s what we do. The sign of an artist is playing whatever they want.”
Musician Patrick Crouch of Lenoir, N.C. always takes plenty of time to share a story or two about the history and music of Appalachia © David Courtner
That’s exactly what happens at the Showcase. Patrick sends out a schedule to the musicians, tells them how much time they have and how many songs they can play, but does not tell them what to play. He explained why. “Everybody truly loves music. It is the universal language. The audience knows that. The biggest challenge is for the musicians to limit their selections.” He continued, “I don’t give a lot of direction. Early on, we met a lot. Now it’s better to just let things be as they may.”
Besides the quality of musicians that play at the Showcase, Patrick says another reason for its success is how the community of musicians support it. “Those who don’t play in it still come out. Some come during sound check just to see folks they haven’t seen in a while. And, of course, we’ve enjoyed the support of the people of Caldwell County from the beginning.”
Sitting in a room surrounded by CDs, musical memorabilia, instruments and a recording studio, Patrick sat up in his chair and shared, “I stick my chest out when I say I’m from Caldwell County and am talking about our music.”
© Michael M. Barrick, 2017-2018.
Andrew Massey Living Lenoir’s Legacy
Pickin’ and playing on the porch as old as this Western North Carolina county
Note: This is the first installment in “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” I’m beginning as about to close as home as I can get – a neighbor of our daughter. Caldwell County is full of fascinating people and wondrous beauty, so many of our first installments will be from here, but I’m working my way up to at least the Mason-Dixon line over the next few weeks and months. Learn more here.
By Michel M. Barrick
LENOIR, N.C. – Since the first European pioneers explored the Yadkin Valley and settled Tucker’s Barn – our modern day Lenoir – music has been central to our heritage.
Above, my buddy Andrew Massey takes a few minutes to pick on his guitar on his back deck. Constantly writing, he played two new tunes. Pickin’ and singing on your porch is nothing new in Lenoir or anywhere in Caldwell County. It’s a way of life. Musicians thrive off of each other and the heritage is continued!
It’s always a joy to enjoy the creative offerings of Andrew and his many friends. Indeed, he is part of Sycamore Bones, a local band that plays regionally and played an electrifying set in the 19th Annual Caldwell Traditional Musicians Showcase.
One thing I concluded for certain from listening to Andrew offer his latest creations on an unseasonably warm and beautifully sunny February afternoon – the arts community truly is the shining light of Lenoir. Lenoir, in turn, continues to play a vital role in the preservation of traditional Appalachian music. It is a must stop along the Blue Ridge National Heritage Area. If interested, learn more here.
© Michael M. Barrick, 2018.
Hanging On
Holding on to one another is essential along the Hillbilly Highway
Note: Though originally published as a stand-alone essay, I am re-posting it as the third installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” Learn more here.
By Michael M. Barrick
Hanging on to my sister, Mickey, as we celebrate her birthday.
LENOIR, N.C. – On June 20, 1952, Minetta Flint married William Barrick in Morgantown, W.Va. A year later, on June 12, their first child, Michelle, was born to the newlyweds, who were known among their friends by their nicknames – “Mike” and “Sparky.”
Michelle, who eventually earned the nickname “Mickey,” was followed by yours truly just under three years later, on April 22, 1956. Nearly six years later, our family was completed, as our little sister, April, was born on January 10, 1962. All three of us were born in St. Mary’s Hospital across from our garage apartment in Clarksburg, W.Va.
As Catholics, we were a relatively small family. Yet, with our grandmothers, aunts, uncles and great aunts and uncles, we had plenty of family close by and others scattered across West Virginia.
Then, the three of us grew up, moved away and started our own families. Every year we would take our two children to West Virginia and enjoy a freeloading vacation of great food, great company and never enough time to visit all the family and friends we wanted to see. And each Christmas was the family reunion.
But alas, a visit to West Virginia now is nothing more than a visit to four cemeteries in three counties to place flowers at the graves of all those people we used to share meals and laughs with.
Pondering something important, like what to drink next.
There’s nothing unusual about that. However, that doesn’t change the tinges of emotions I feel as I consider those souls who have slipped away – including our little sister April, who died of cancer last August. The Barrick family that started out at 483½ Washington Ave. in Clarksburg 66 years ago is now reduced to Mickey, who turned 65 this week (she doesn’t look it, but life isn’t fair) and me.
She and her husband David were in town visiting this week. She and I are both cancer survivors, against the odds. Why we live, and April does not, we do not know. Nor shall we drive ourselves crazy pondering it. It is what it is. How that huge family we were born into is now down to just the two of us is also something not healthy to spend a whole lot of time pondering. Again, it just is.
Yet, through the loss and sadness, our love for one another has grown beyond description, largely due to Mickey’s unconditional love for her quite curmudgeonly brother. We understand that we are indeed an endangered species. So, we do what Sparky, Mike and April taught us – We hold on to each other for dear life and laugh at life’s challenges and absurdities.
© Michael M. Barrick, 2018. Photography by Rick Carter.
Remembering April Renee
This poem is shared in memory of our dear “little” sister, April Renee Ball (WVU ’84) who passed away on Aug. 30, 2017. You may read her obituary here.
April Renee (Barrick) Ball
When, from St. Mary’s Hospital
Sparky returned home in the snow,
she carried with her
the scarlet-faced baby
that forever, to Mickey and me,
would be Little Sister.
Walking home from school with you
from first grade on,
I thought would last forever.
But then I chose a path in 1974
which, to this day, remains a mystery.
On a return trip home you smiled away
as the speakers in my orange Beetle
blasted Uriah Heap against your ear drums.
In time you found a man
I considered worthy – as if it mattered.
Together you gave me two of my best friends –
your daughter, your son
my niece, my nephew.
Though separated now by timely death,
apart physically but present in spirit,
the bonds of love between Little Sister, Big Brother and Big Sister
are held together by memories,
and our dearly departed Mother and Father.
With a prayer of joy and a tear in my eye,
I daily thank God
for January 10, 1962.
© Michael M. Barrick, 2017
JAM: ‘Building Community One Tune at a Time’
Inspiring program is preserving music, history and communities of Appalachia
By Michael M. Barrick
Strictly Strings. Photo by Martin Church.
LENOIR, N.C. – The Junior Appalachian Musicians (JAM) program says on its website “We’re building community one tune at a time.”
That’s a fact, as I saw it on display last night here at the 19th Annual Caldwell Traditional Musicians Showcase. There, among many other great musicians, we saw and heard the group Strictly Strings, which was born out of the Boone, N.C. JAM affiliate. (Learn more here: Strictly Strings Carrying on the Old-Time Tradition).
Strictly Strings on stage. Photo by Lonnie Webster.
Below each photo are statements from JAM’s website. We hope these photos and insights will motivate you to click on the links above and learn more about this vital educational music program that is preserving the history, traditions and communities of Appalachia. If you have a chance to see Strictly Strings or any JAM shows of the roughly 40 affiliates in southern Appalachia, do it! You’ll see and hear history come alive.
Members of Caldwell JAM at MerleFest 2016
We envision a world in which all children have the opportunity to experience community through the joy of participating in traditional mountain music together.”
Strictly Strings as seen on the cover of their album, ‘High on a Mountain.’ Photo by Martin Church.
Our mission is to provide communities the tools and support they need to teach children to play and dance to traditional old time and bluegrass music.”
Caldwell JAM musicians perform for North Carolina’s legislators on ARTS DAY
We believe that children who are actively engaged in traditional mountain music are more connected and better prepared to strengthen their communities for future generations.”
Strictly Strings photo by Martin Church.
Read about Caldwell, N.C. JAM here.
© Michael M. Barrick, 2017
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Nancy Posey Bringing Her Wit and Humor to Showcase
Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase. A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center in Lenoir, N.C.
Nancy Posey playing the mandolin. Photo by David Courtner.
NASHVILLE, Tenn. – Anybody who knows Nancy Posey – whether as a co-worker, friend or fellow wanderer through various poetry readings and art exhibits – is keenly aware that she is no footnote, wherever she may be. Yet, as we opened our conversation about her role as emcee in the 19th Annual Caldwell Traditional Musicians Showcase, Posey’s first words were, “I’m just a footnote.”
Posey, who taught for years in the county’s public schools and at Caldwell Community College & Technical Institute, is now living in Nashville, where she is teaching at her alma mater, Lipscomb University. She spoke by phone from her home there.
Patrick Crouch, of host group Strictly Clean and Decent explained why he’s thrilled to have Posey travelling hundreds of miles to corral the two dozen-plus musicians scheduled to perform. “She is a lifelong musician with a passion for humanities. Nancy plays mandolin, sings, writes poetry, attends workshops, conducts workshops, and supports live art before she has her first cup of coffee. After that, she gets busy! We are delighted to have Nancy as our emcee for Handmade and Heartfelt.”
Nancy Posey reading poetry. Courtesy Photo.
Posey added that Crouch didn’t give her a choice. “He said, ‘We won’t fire you. You have to quit to get out of this gig.’” That’s just not an option she shared. “I can’t resist. It’s the big bucks.” Turning serious, she pointed to the sense of community she continues to share with Caldwell’s musicians. “About eight or nine years ago I started to learn to play the mandolin. Part of the reason is I like hanging with musicians. I’ve always enjoyed music. I’ve had a chance to learn many ways to play.”
Posey continued, “What the Showcase does to highlight Caldwell’s music in wonderful. I don’t think people know how much talent is saturated in that corner of the state.”
Well before Posey takes the stage as emcee on the night of the Showcase, she will make sure she’s well acquainted with all of the performers. “I learned to get there early during rehearsal time and meet them. I sit out there and watch and talk to everybody.” She noted, “They’re not all about themselves. Everyone is about the other people playing. It’s a mutual admiration society.” She added that before sound check, she will have watched videos, visited websites and other sources to learn as much as she can even before meeting those musicians she doesn’t already know.
The audience, she said, “Will be surprised with the range of genres.” She added, “So I just can’t stand up there and tell bluegrass jokes. Though I will.”
What the audience doesn’t see is one part of the Showcase that Posey enjoys the most, because it reflects upon the overall tenor of the show. “I enjoy the back stage banter and seeing the level of professionalism. It’s something to watch everybody getting ready to get on stage, the way they conduct themselves with one another.”
As an educator, it isn’t surprising that Posey enjoys showcasing the younger musicians, such as the Caldwell Junior Appalachian Musicians (JAM) program and an emerging group that writes most of the music it performs. “I really look forward to the JAM musicians. Showcasing that program is so important for the community.” She added, “I’m tickled to see Sycamore Bones. I’m looking forward to seeing them on the big stage. They are some young talent that needs more exposure.”
Even though the Showcase is finishing out its second decade in the community, Posey observed, “I’m always hoping there will be new people that hear about it every year. Some people I see every year. I love the idea that there are people will be exposed to this for the first time and want to come back.” She concluded, “It’s amazing to me that Kay and Patrick can put together a different show every year drawing from local musicians. There are a lot of talented musicians there.”
Asked if she had anything to add, she explained why she would be only a footnote. “It’s Kay’s red cowboy boots. I just can’t compete. She raises the bar.”
© The Lenoir Voice, 2017.
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Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Showcase Information and Performers
The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Caldwell Junior Appalachian Musicians performing traditional string music.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be the emcee for the evening.
An Open Letter to W.Va. Governor Justice and DEP Secretary Caperton
On behalf of all West Virginians, I challenge you to serve the people, not your cronies in the fossil fuel industry
By S. Tom Bond
Note: I have penned the following Open Letter to Governor Jim Justice and Department of Environmental Protection Secretary Austin Caperton; I encourage you to do the same or join us in signing this by contacting the Mountain Lakes Preservation Alliance at MLPAWV@gmail.com or use the contact page.
Editor’s note: Both Justice and Caperton have long careers as energy company executives and have records’ – including recent firings at WV DEP – that the state’s environmental groups find counter to the DEP mission as does the Charleston Gazette-Mail. To get a sense of how things operate in Charleston, read this admission by former DEP Secretary Randy Huffman that the DEP is compromised by crony capitalism.
Lewis County Farmer Tom Bond tells his story in the Documentary Film ‘In the Hills and Hollows’ by Keely Kernan
Dear Governor Justice and Secretary Caperton:
How is the air down there in Charleston? Still clean? Do you plan to move out into the country near some of the new Marcellus drilling industry? Maybe near a compressor station with eleven of those big engines, roaring and belching 24 hours a day?
Jim Justice
Or perhaps near a well pad where there is 24 hour light and noise and chemicals and diesel smoke with lots of PM-2.5 coming out the exhaust. Particulate matter 2.5 microns or less is now known as a cause of Alzheimer’s-like effects, you know. Going to bring along your grandchildren and your Mom along? Families like that live out here, and the young and the old are particularly susceptible to toxic chemicals, smoke, fumes, and dust.
Maybe you are like the famous story on Rex Tillerson, who has inflicted that kind of misery on many thousands of people. Then he complained when a water tower to enable fracking was erected in sight of his own piece of earth.
Do you think those who drink water without the taste of chlorine shouldn’t complain when their well is poisoned with a complex mixture of water slickers, detergents, and anti-oxidants, antibacterial compounds, and God-only-knows what else? Maybe they deserve car-busting roads and interminable delays when they use public roads too?
I can see you demurring all the way from here. I think that you are like Rex Tillerson, the ultimate not-in-my-back-yard guy!
Austin Caperton
So you are going to govern the state for all the people. For all the people of West Virginia – like John J. Cornwell was governing West Virginia for all the people, including the miners, at the time of the battle of Matewan? Oh yes! Those corporations provided good living for officers and investors, but not miners. It’s been like that since West Virginia was established. Wealth carried off, mostly north and east, but occasionally to build a motel in Florida.
So I’m being a little hard on you. You are just doing it to bring jobs, jobs, jobs, you say? You do realize gas and oil extraction are capital intensive and labor weak, don’t you? That once the drilling is done by those fellows brought in from elsewhere, they will go away and leave few permanent jobs? You certainly know several companies are developing automated drilling, so drilling labor will go the way of coal labor, too.
Oh yes! Obama killed coal the fable says. You really know better than that, don’t you? Coal companies, going to more mechanization, especially long wall and surface mining that can use huge equipment, killed coal jobs. That Obama fable was a tool, using prejudice and diversion of the truth, to affect voters who were slow to catch on.
What moral code do you have that allows collateral damage to rural residents in peacetime to profit private industry? Forget for the moment all the externalized costs, the true cost of the extraction, the damage to other industries, global warming, destruction of surface value for farming and timber, recreation and hunting. What justifies forest destruction, land disturbances, public annoyances, and public health for fossil fuel extraction? Especially when last year 39 percent of new electrical capacity was solar and 29 percent was wind power. (Coal has been showing a decrease for the last two years.) There is no CO2 from the renewable resources!
West Virginia residents stand in solidarity against fracking at the first “Hands Across Our Land” fracking protest iin 2015. Photo courtesy of Doddridge County Watershed Association
How do you decide people are unworthy of protection? Simply because of rural residence? Those who can’t afford to move elsewhere, or too attached to the family plot?
Hey guys, people out here are probably more astute than you think. Some of us don’t think very far ahead, and few are articulate, but, given time, it all becomes too clear.
West Virginia has the highest rate at losing population in the nation. We have the lowest ratio of employment to employable people in the nation. College kids have been heading for the door, and so are a lot of high school grads.
Is corrupting the environment and allowing the wealth of our state to be carted off by favored industries your best game? That is the past, present (and future?) of Almost Heaven! We country folks keep hoping for better!
S. Thomas Bond is an eighth generation West Virginian writing from his farm in Jane Lew, W.Va. He is a farmer and retired chemistry professor. He is interviewed in Keely Kernan’s Documentary Film, “In the Hills and Hollows,” which is about the impacts of the fossil fuel industry in West Virginia.
Postscript: Please note the irony of the slide show of beautiful West Virginia scenery on the governor’s website. Let’s not let him have a pass on using the state’s natural beauty to disguise the extreme damage he has done to the people, environment and legal system of West Virginia. – M.B.
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The Eyes of a Child (Part 2)
In our last post, The Eyes of a Child, I wrote that if we all looked at the world through the eyes of a child, we would see only beauty.
Then a reader hit me with a dose of reality, pointing out that is not the case in Syria. I would add Haiti to that list, as well as dozens of other nations. So, to correct the narrow view I offered, I share this photo for your consideration.
The choice is up to us. We can wage peace, or we can wage war.
© Michael M. Barrick, 2017
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The Eyes of a Child
If we all looked at the world through the eyes of a child, we would see only beauty.
© Michael M. Barrick, 2017
We are on Facebook
On Twitter: @appchronicle
