Quit Peddling Religion and do Something Useful

Enough about the apocalypse; help prevent it

By Michael M. Barrick

LENOIR, N.C. – Just after 10 yesterday morning I dispatched – politely – a Jehovah’s Witness fanatic from my front doorstep.

I did not run her off because she’s a Jehovah’s Witness; I ran her off because she was fear-mongering. I stepped outside and she handed me a brochure, saying, “You know, this is something that is on people’s minds these days – the return of Jesus.” I handed it back to her and said, “Save this and give it to someone that is interested.” She said “Thank you” and left.

I will not waste my time talking to fanatics about religion – or anything for that matter. I don’t like strangers coming unannounced to my door. It’s rude. Paul wrote that “Love is not rude” (look it up; hint: it’s in the “love” chapter), yet it’s generally agreed upon that he was a real pain in the neck.

I also saw the word “prosperity” on the handout. Having spent a decade researching and writing tens of thousands of words about the totally false “name-it-claim-it, health-and-wealth, prosperity gospel,” I knew immediately I was dealing with a hopelessly deluded person.

Religous tract ben-white-226176

I also do not like people using the threat of an impending apocalypse to scare me into “finding Jesus.” It’s cynical. It’s certainly not rooted in a faith of hope. It is also not rooted in a religion of action, but rather fatalism.

Sadly, though, it is effective.

Not with me. First, because of experience. Second, because I believe in logic. What she was peddling is paradoxical. Why, if you believe the return of Jesus is imminent, would you also – and in particular your pastor – be concerned about prosperity? Illogical as it is, obviously millions fall for it.

So, rather than harassing people enjoying a quiet cup of coffee, those of you peddling your religion door-to-door could instead live your faith. Maybe if you do, so many frightening things wouldn’t be happening. “Thy Kingdom come” would happen if people bothering me and my neighbors would instead simply live according to their precepts. Below is one that is quite timely.

When a foreigner resides among you in your land, do not mistreat them. The foreigner residing among you must be treated as your native-born. Love them as yourself, for you were foreigners in Egypt. I am the Lord your God” (Leviticus 19:33-34).

So, go see what you can do to protect our immigrant friends. If it’s all the same to you, I’ll find Jesus on my own.

Finding Jesus on my own lukas-budimaier-49074

© The Lenoir Voice, 2017.  The Lenoir Voice is a sister publication of the Appalachian Chronicle.

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Pipeline Monitoring Group: FERC Not Doing Job on ACP

Dominion Pipeline Monitoring Coalition calls for agency to ‘start over and do a proper’ environmental study on the Atlantic Coast Pipeline

By Michael M. Barrick

MONTEREY, Va. – The Dominion Pipeline Monitoring Coalition (DPMC) is again challenging the work of the Federal Energy Regulatory Commission (FERC) regarding the proposed Atlantic Coast Pipeline (ACP). In a news release, Rick Webb, program director for DPMC, said, “If built, the ACP could mar the beautiful, unfragmented viewshed of the southern end of the proposed 90,000-acre Shenandoah Mountain National Scenic Area that stretches from Rt. 250 north to Rt. 33 on the western side of the Shenandoah Valley.”

Shenandoah Mountain

Shenandoah Mountain. Photo by Brad Striebig

He explained, “The Natural Gas Act requires FERC to assess impacts to scenic areas and recreational trails. Yet, the Draft Environmental Impact Study (DEIS) for the ACP does not consider impacts to this special area which was proposed for congressional designation by Friends of Shenandoah Mountain a decade ago, recommended by the 2014 George Washington National Forest plan, and endorsed by over 280 diverse organizations and businesses.”

Webb continued, “In addition, the DEIS ignores impacts to the Wild Oak National Recreation Trail and dismisses Forest Service requests to re-evaluate wild brook trout stream crossings on Hankey Mountain.”

According to Webb, a new utility corridor across the Braley Pond area and Hankey Mountain would:

  • diminish scenic beauty
  • degrade popular recreational resources
  • fragment core forests
  • damage wild brook trout streams
  • industrialize a major gateway to the scenic area

Consequently, he noted, “A permanent corridor of this magnitude could degrade the natural and scenic characteristics of the proposed National Scenic area to the point where it could jeopardize its viability for congressional designation.”

Webb argued that FERC has failed to comply with the National Environmental Policy Act (NEPA). He argued, “In order to comply with NEPA, FERC needs to start over and do a proper DEIS that fully considers significant impacts to one of the largest, mostly unfragmented tracts of national forest land east of the Mississippi River. The proposed scenic area and its water and recreation resources are revered by the public and deserve due consideration in the DEIS.”

Webb noted that the DPMC has created an online Story Map – “Proposed Shenandoah Mountain National Scenic Area and the Atlantic Coast pipeline.”

Learn more about the DPMC here or contact Rick Webb at rwebb.dpmc@gmail

© Michael M. Barrick, 2017

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Now I’m Seriously Peeved at Donald Trump

Mess with the Muppets, and you mess with my family

By Michael M. Barrick

Donald Trump’s determination to build the military-industrial complex and a stupid wall (that just ain’t gonna happen folks!) is so important that he must kill off Big Bird. Public Broadcasting, which is the home of “Sesame Street,” Big Bird, Kermit and their many ethnically and racially diverse family and friends, is targeted for elimination from the federal budget.

So, I’m seriously peeved. You mess with the Muppets and you mess with my family.

Ssmuppetgang1972

And you don’t mess with my family ‘cause I’m from Wild, Wonderful, Almost Heaven, West-by-God-Virginia, and we are obligated to stand up for our children – and their friends.

Well, when our children were growing up, the Muppets were their only friends on television. There are a couple of reasons for that. First, we were poor; rumors of us having dozens of Chock full o’ Nuts cans buried in the back yard full of cash were simply unfounded. Our children discovered that to their disappointment only after they and their friends had spent a day digging up our yard to no avail, other than to aerate it for me. And, secondly, if we could have afforded cable, we wouldn’t have let them watch the crap on it anyway.

You see, the theory was that the airwaves belonged to the public. So, we could get a PBS station in rural, central West Virginia – and later, more urban North Carolina. Wherever we took our children to live or visit, we knew that this sound programming, full of nothing more than lovely parables about living with one another in harmony – and of course many great lessons in the humanities and sciences – was available.

Sesame_Street_sign.svgAnyway, our children – now 34 and 32 – managed to get through their early childhood by watching only – and learning from – the Muppets and the many lessons they learned on Sesame Street.

We did not miss a Muppet movie. It was from watching “The Muppets Take Manhattan” that we learned from the wise owner of a restaurant that “Peoples is peoples.” That simply profound statement of tolerance, understanding and ultimately acceptance is a critical life lesson, and that phrase – in the context of the plot – could be understood by a child.

Unfortunately, it isn’t understood by Donald Trump. I believe he suffers from arrested development and probably has the outlook of an eight-year-old that never benefited from watching “Sesame Street.”

So, as I said earlier, I’m seriously peeved. Unfortunately, short of writing letters and holding up signs in protest, the best chance we had to prevent this has passed. And for that, we can thank the Democratic National Committee (DNC), and in particular Congresswoman Debbie Wasserman Shultz, who as DNC chair last year, did all she could to cheat Bernie Sanders out of the nomination. Since she was quite competent at her job, she and her compatriots among the Democratic Party’s shrinking (but wealthy) elite have ironically caused us to find ourselves at this point. For those thinking it’s unfair to pick on the DNC, I will simply note that it is that defensive, head-in-the-sand attitude that will ensure defeat in the next election cycle. By the way, I’m not a Democrat, so I’m not advocating; just stating the obvious.

So now, the Republicans are in control, doing exactly what they said they would do.

Pbs-logo-800How, then, do we respond? We do our best. We let our voices be heard in Washington. We can support our local PBS and/or NPR stations.

As you consider that and other options, a brief story from about 30 years ago will illustrate the importance of the Muppets to our family – and, truly, to our nation.

We were at the mall. That itself was rare. There was a store there that had something I needed, but I don’t recall the details. But what happened with my wife, Sarah, and our children is quite memorable.

You see, Sarah has a rare ability to mimic perfectly the voices of the Muppets. They told bed-time stories at our home. They had “conversations” with the children through the stuffed versions we had at the house (I still have a small 6”-tall figurine of Kermit as a journalist – in trench coat, pen and pad).

In any event, while waiting on me, they were just inside the entrance to a department store where there was a large Muppet display. To occupy their time, Sarah started bringing the Muppets to life through her various voices. In time, an audience had gathered, enjoying the show as much as Lindsay and Allyn, who gazed at their “talking” Muppet friends, enraptured.

When the time to rendezvous came, Sarah told the children it was time to go. They protested. “We don’t want to go! We want to keep talking to Big Bird!” Sarah insisted. “No, we must go. It’s time to meet Daddy.”

Their response was classic. “We don’t want to meet Daddy. He’s a meanie!” I still wonder what the others watching this show thought. Nevertheless, I dispute that assertion and claim that they didn’t quite know how to express their objections appropriately. (Though they keep saying that).

BigbirdnewversionI learned something very important that day. Do not get between Big Bird and my children. I had senselessly forgotten that the Muppets were part of our family. I learned my lesson that day though, and will always remember it.

So, Republicans, look out. Sesame Street might go through rough times for the next few years because of you. It might come to resemble Detroit even. In time, though, the family and friends of the Muppets will have the day. Why? Because we yearn for community far more than we desire war.

© Michael M. Barrick, 2017

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OVEC Publishes Newspaper to Reach 29,000 West Virginians

Dangers of fracking, benefits of Clean Energy in West Virginia are covered in the 28-page newspaper, Renew West Virginia

By Michael M. Barrick

OVEC Renew WV.png

HUNTINGTON, W.Va. – One of the most established and influential environmental and social justice organizations in West Virginia is printing and distributing 29,000 copies of its own newspaper – Renew West Virginia.

The Ohio Valley Environmental Coalition (OVEC) stated in a news release, “The publication … examines the health and pollution impacts of the fracking boom in other areas of West Virginia, and details fracking-related projects proposed for the greater Huntington area. It also explores the nationwide growth of renewable energy and related jobs, with a focus on the renewable energy efforts underway in Cabell and Wayne counties.

It will be distributed to residents of Cabell, Wayne, Putnam, Jackson and Roane counties.  It is being sent to those “ … who reside near some of the proposed pipelines and their associated compressors stations,” explained OVEC in the statement. It is also available online.

OVEC pipeline map

The proposed route for the Mountaineer XPress Pipeline as provided by Columbia Gas Transmission online.

The proposed route for the Mountaineer XPress Pipeline, as provided by Columbia Gas Transmission online.

The newspaper has been published, said OVEC in its release, to answer the question, “What is our energy future?” The question is timely, argued the organization. It noted, “A total of nine large diameter pipelines are proposed to come through the Huntington area. Unlike the Dakota Access Pipeline and the Keystone XL Pipeline, which are largely completed already, the fracked-gas pipelines proposed for the Huntington area are not yet in construction, and some are still in the planning phases.”

It continued, “Columbia’s Leach XPress pipeline is planned to bore under the Ohio River near Camden Amusement Park, and Columbia’s Mountaineer XPress pipeline is currently in the public comment phase. There is also industry discussion now about fracking the very deep Rogersville Shale which underlies the Huntington area.”

As pipeline companies seek eminent domain rights, we need to remember that informed and organized people can demand their rights, protect their property, and contribute to a better energy future for our state and nation.” – OVEC Executive Director Natalie Thompson

There is a better way, argues OVEC in Renew West Virginia. OVEC Executive Director Natalie Thompson said, “All across the United States, a new energy for citizen action is emerging. We need to tap into that energy and work with others concerned about the severe climate impacts of these planned developments in our neighborhoods.” She continued, “As pipeline companies seek eminent domain rights, we need to remember that informed and organized people can demand their rights, protect their property, and contribute to a better energy future for our state and nation.”

Robin Blakeman, OVEC’s project coordinator, added, “We see the problems our neighbors in north central West Virginia have faced with the rise of deep shale fracking-related activities. We’ve published Renew West Virginia because we want to make certain that people know deep shale fracking-related activities are not the same as our grandfathers’ oil and gas industry.” She added, “Renewable is doable! We can choose to move West Virginia’s economy into the 21st century by embracing cleaner renewable energy.”

OVEC grandfathers well pad.jpg

Graphic from Renew West Virginia. Courtesy of OVEC.

Indeed, the impact of fracking upon the state’s northern counties, as well as residents in Pennsylvania, New York and elsewhere are revealed in the newspaper. On page 3, under the headline, “Not Your Grandfather’s Oil and Gas Industry,” a new fracking well pad dwarfs an older well. With that startling contrast catching your attention, readers are informed, “To learn what this oil and gas rush would mean for our communities, we look to our northern neighbors. Explore these pages to learn more about what our region faces, about fracking-related activities, and about cleaner, healthier alternatives.”

A number of topics are covered, including the growth of renewable energy. There is also a section on the Rogersville Shale field – 12 to 14 thousand feet under about 12 counties in West Virginia and several more in Kentucky – which is in the sights of the gas industry. The Marcellus Shale, in contrast, is about 5,000 feet below the surface. The publication asserts, “If the Rogersville Shale is extensively developed, the Huntington/Wayne County area would be harmed by unprecedented deep fracking, with much of the oil and gas apparently slated for export overseas.”

OVEC Well pad flaring

A modern well pad. Note the flaring. Dangers also include storage tanks for explosive, volatile natural gas condensate. Courtesy of OVEC.

Additionally, the publication points out that much of the gas being extracted from the West Virginia shale fields are earmarked for export, despite federal regulations designed to prevent that. It shows how a state court victory for citizens could thwart industry plans to export the gas they seek to extract. The ruling prevents gas companies from accessing private property. Hence, depending upon other factors, the ruling could severely limit construction, and hence production and, ultimately, export of the fracked gas. Consequently, the construction of pipelines and compressor stations, not to mention the many adverse impacts of fracking, could conceivably be severely restricted by West Virginians firmly standing for their rights.

In that decision from a case in Monroe County, the West Virginia Supreme Court upheld a ruling by Monroe County Judge Robert A. Irons ruling that landowners do have the right to prevent pipeline surveyors from coming on their property to survey for the proposed Mountain Valley Pipeline (MVP). This was a clear win in checking gas companies’ abuse of eminent domain. He ruled what MVP’s attempts to get on private property without permission based on the premise of eminent domain is illegal because it was “private taking for private use.” In other words, the pipeline is not for public benefit, affirmed the court, but for the profit of the energy companies building them.

Other issues explored include public health and environmental complaints in Pennsylvania; the impact upon water supplies from depletion of lakes to pollution through leaching; earthquakes occurring where none had before the fracking boom; public health impacts, ecological risks, and overall nuisances of fracking well pads; and, a review of the impact of nine proposed pipelines, many of which would run under or near the Ohio River.

OVEC cluster of trucks

Fleets of various large trucks, oversized for the two-lane highways of West Virginia, many hauling hazardous and radioactive materials, clog the northern counties of West Virginia, as well as part of other central Appalachian states. Courtesy of OVEC.

Readers are also encouraged to know and defend their rights. “Folks in West Virginia living along the paths of these proposed pipelines are advised: If pipeline land men come looking for you, know your rights! OVEC can suggest knowledgeable and trustworthy lawyers.”

The dangers of compressor stations are illustrated vividly through the photo of a child who was part of a health study in New York. As noted in the caption, residents suffered from asthma, nosebleeds, headaches, and rashes. On the same page, readers learn. “The Pennsylvania Medical Society has called for a moratorium on new shale gas drilling and hydraulic fracturing.”

OVEC child with bloody nose

A child that was part of a health study in New York about the public health dangers of fracking. Photo: Minisink, N.Y. health study.

In-depth reporting is provided on the “typical steps” for a Marcellus Shale gas operation. Numerous photos tell their own stories. Radioactivity in fracking well waste is explored. The paper notes, “In December 2016, the journal Environmental Science & Technology Letters reported on a study that found some well waste from the Marcellus Shale in Pennsylvania contained radioactive material not previously reported, with the potential for leaching from landfills into the environment.” Over two pages, Renew West Virginia thoroughly reviews the science that proves fracking creates radioactive waste. Furthermore, they note that disposal of it is barely, if at all, regulated.

The newspaper also includes news of grassroots victories against pipelines; points out that the clean energy economy employs four million people in the United States; and, provides extensive analysis of solar energy.

Informational Meeting

OVEC will distribute copies of Renew West Virginia at an informational meeting at 6 p.m. on Wed., March 15 at the Main Cabell County Library, 455 9th Street (at the corner of 5th Ave. and 9th St. in downtown Huntington).

Learn more

To contact OVEC or to learn more about Renew West Virginia, click here.

What is fracking?
Fracking is a slang word for hydraulic fracturing, the process of injecting a fluid consisting of water, sand and chemicals at high pressure into shale. This fractures the rock, releasing natural gas, which is then extracted. In West Virginia, the Marcellus shale, a layer of rock 3,500 – 8,000 feet below the surface, is the object of fracking. The vertical depth of the formation is about 150 feet. Whether recovered or left behind, the frack fluid presents problems. The wastewater contains not only the chemicals added to the water, but also heaving minerals and radioactive materials recovered as part of the extraction process.

OVEC fracking process

Source of graphic: ProPublica; used with permission. Use does not imply ProPublica’s endorsement of any content of this newspaper.

© Michael M. Barrick, 2017

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JAM: ‘Building Community One Tune at a Time’

Inspiring program is preserving music, history and communities of Appalachia

By Michael M. Barrick

strictly-strings-3

Strictly Strings. Photo by Martin Church.

LENOIR, N.C. – The Junior Appalachian Musicians (JAM) program says on its website “We’re building community one tune at a time.”

That’s a fact, as I saw it on display last night here at the 19th Annual Caldwell Traditional Musicians Showcase. There, among many other great musicians, we saw and heard the group Strictly Strings, which was born out of the Boone, N.C. JAM affiliate. (Learn more here: Strictly Strings Carrying on the Old-Time Tradition).

strictly-strings-1

Strictly Strings on stage. Photo by Lonnie Webster.

Below each photo are statements from JAM’s website. We hope these photos and insights will motivate you to click on the links above and learn more about this vital educational music program that is preserving the history, traditions and communities of Appalachia. If you have a chance to see Strictly Strings or any JAM shows of the roughly 40 affiliates in southern Appalachia, do it! You’ll see and hear history come alive. 

JAM at Merlefest

Members of Caldwell JAM at MerleFest 2016

We envision a world in which all children have the opportunity to experience community through the joy of participating in traditional mountain music together.”

strictly-strings-4

Strictly Strings as seen on the cover of their album, ‘High on a Mountain.’ Photo by Martin Church.

Our mission is to provide communities the tools and support they need to teach children to play and dance to traditional old time and bluegrass music.”

JAM 1

Caldwell JAM musicians perform for North Carolina’s legislators on ARTS DAY

 

We believe that children who are actively engaged in traditional mountain music are more connected and better prepared to strengthen their communities for future generations.”

strictly-strings-2

Strictly Strings photo by Martin Church.

Read about Caldwell, N.C. JAM here. 

© Michael M. Barrick, 2017

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Caldwell JAM Students, Country Duo Round Out Showcase

Annual event offers rich diversity of talent for music lovers

 By Michael M. Barrick

Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.

JAM 1

JAM Members play for North Carolina’s legislators on ARTS DAY

LENOIR, N.C. – Students learning from the very best of traditional musicians in Caldwell County will be entertaining guests in the stained-glass lobby of the J.E. Broyhill Civic Center as they arrive for the 19th annual Caldwell Traditional Musicians Showcase. The students are members of Caldwell Junior Appalachian Musicians (JAM). Additionally, Blackberry Jam, a small group from Caldwell JAM will play on stage after intermission. It includes Kemdyn Koehler, Avery Sigmon Dalton Sigmon, Jacob Robbins, and Gideon White. Kay Crouch of the host group Strictly Clean and Decent shared, “We welcome these young ‘JAMers’ to the stage.” 

She explained, “JAM is a low-cost, after-school program designed to teach traditional music to children by ear, in order to preserve the oral tradition, and also to give them opportunities to play in both large and small groups.”

According to the Caldwell Arts Council website, “Caldwell JAM … is a program of the Caldwell Arts Council teaching students age 7-17 to play guitar, mandolin, banjo and fiddle with a heavy emphasis on playing traditional and bluegrass music by ear. The classes are taught by some of the region’s most talented artists, many of whom grew up playing old-time or bluegrass. Students also learn about the history of the music, take field trips to music venues, and spend time with musical elders from the community. Caldwell JAM classes are offered at Granite Falls Elementary, Happy Valley K-8, Hudson Elementary, and at in downtown Lenoir in old-time guitar, fiddle, and mandolin.”

JAM at Merlefest

JAM Students at MerleFest 2016

Also sharing the stage will be Lenoir residents Darren Bryant and Justin Clyde Williams, playing country music. According to their Facebook page, Bryan and Williams describe themselves as, “just two guys livin’ out their dreams, pickin’ and singin’ for your entertainment.”  Patrick Crouch offered that the humble description, “ … belies the dedication to their craft which make them two of the most in-demand musicians in Caldwell County. Their unpretentious, ‘what you see is what you get’ sensibility makes them both handmade and heartfelt.”

(Bryant and Williams) are two of the most in-demand musicians in Caldwell County. Their unpretentious, ‘what you see is what you get’ sensibility makes them both handmade and heartfelt.” – Patrick Crouch

In an earlier interview, Crouch explained the genesis of this year’s theme. “Some years I have the title in my brain and then get the musicians that fit. This year, however, I had this group of people who I love and admire as people and musicians that I’ve been wanting to get on the show.  So, it will feature various styles of music – some is original, but all comes from the heart.”

The Showcase is scheduled for tomorrow, Saturday, March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.

The Lenoir Voice, 2017. 

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Previous 2017 Showcase Articles

Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians

Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil

Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase

Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase

Sycamore Bones Just Keeps Creating: Lenoir-based trio bringing their own brand of music to annual Caldwell Showcase

Just Don’t Throw Tomatoes: Max Waters personifies talent, humility and humor that makes the Caldwell Traditional Musicians Showcase a success

Ridgeline Brings ‘High Lonesome Sound’ to Showcase: Influenced by bluegrass greats, Ridgeline plays a hard-driving style

Showcase Performers

This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.

Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.

showcase-scd-2

Strictly Clean & Decent

Caldwell Junior Appalachian Musicians performing traditional string music.

Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.

MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.

Max Waters playing Southern gospel, jazz, and blues piano.

Strictly Strings performing old time and contemporary string band music.  The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.

Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.

Darren Bryant and Justin Clyde Williams performing country music.

Nancy Posey will be emcee.

 

Ridgeline Brings ‘High Lonesome Sound’ to Showcase

Influenced by bluegrass greats, Ridgeline plays a hard-driving style

By Michael M. Barrick

Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.

Live Music

LENOIR, N.C. – Just like so many of the musicians that perform in the annual Caldwell Traditional Musicians Showcase, many of the members of the bluegrass band Ridgeline hold down other jobs that help pay the bills. That does not mean, however, they don’t entertain with enthusiasm and excellence; in fact, it is the passion for the music despite often having to work other jobs – that “handmade and heartfelt” approach to creating it – that has been a primary reason why the Showcase is completing its 19th straight year as an annual event in Lenoir.

Ridgeline features Tim Greene on mandolin and guitar, April Flanders on fiddle, Mike Nelson on banjo, Larry Wright on bass, Jim Matheson on guitar, and Jimmy Houston on guitar. Also joining them for the Showcase will be David Parker on mandolin. Kay Crouch, of host group Strictly Clean and Decent, has written this of Ridgeline in her program notes: “The band plays hard-driving bluegrass and bluegrass gospel music that is representative of the ‘high, lonesome sound.’ She added, “Their heartfelt delivery is the cornerstone of every Ridgeline performance.”

They’re just a great group of folks that make up the group Ridgeline. I’m very pleased with the team I’ve got together.” – Tim Greene

Greene expressed delight at the current Ridgeline lineup. “We have a great group of musicians with us. Most of us also manage careers as well. April, for example, is a professor at Appalachian State University. They’re just a great group of folks that make up the group Ridgeline. I’m very pleased with the team I’ve got together.”

He added, “I’ve been playing 23 years professionally. This is the lineup we’ve had for two years and I am very much pleased. The original band was Carolina Harvest. Two of the original members have passed on, so we changed the group’s name. Those folks were Clarence Greene and Doug Greene.”

nancy-posey-on-mandolin-david-courtner

Nancy Posey playing the mandolin. She will serve as emcee for the Showcase. Photo by David Courtner.

Greene has a long history in the genre, traveling here and yonder to play. “I used to travel. I played with the James King Band. I played with David Parmley and Continental Divide. There are so many to mention.”

While he does write music, Greene shared, “We will play some original music, and we do a lot of cover tunes right now.” He revealed, “We are in the process of writing and a recording our own CD. It’s taking time but we want to get it right. We want people to enjoy it. We want to be happy with it.”

I saw Doyle Lawson and Quicksilver when I was young. It was the original band. That experience told me right there what I wanted to do.” – Tim Greene

Ridgeline draws from a long line of famous bluegrass musicians. Greene shared that Nelson’s banjo playing is influenced by the legendary Earl Scruggs. The group is also influenced by the work of J. D. Crow. Greene recalled, “I saw Doyle Lawson and Quicksilver when I was young. It was the original band. That experience told me right there what I wanted to do.” He was also influenced by the Osmond Brothers. “There harmony is so pure, which is essential to bluegrass.” He continued, “April likes the old traditional music as well. She’s kind of in to some folk music as well. My step-dad and his daddy played the fiddle. They played a lot with Doc Watson when he was growing up.” He added, “Larry is steeped in the music of IIIrd Tyme Out, Ralph Stanley, Lou Reid and Carolina, and The Country Gentlemen. They influence us all. They were bluegrass icons. We look up to those guys.”

As a result, Greene is hopeful that those influences – familiar also to much of the audience – will resonate with those in the seats. “We want the audience to experience good wholesome music. We want them to enjoy themselves. We enjoy ourselves as we perform. When they come to a Ridgeline show, I want them to be pleased with the music and the show we put on. We don’t want to come off as better than anyone else. We just want to get out there and do the best we can for the folks.”

showcase-grand-finale

The grand finale from a previous Caldwell Traditional Musicians Showcase

Greene expressed joy at the opportunity to play in the Showcase. “I was born and raised here in Caldwell County. Larry and Mike were born and raised here. It’s a big deal for us, especially for me because I’ve played the music so long as I’ve traveled the United States and Canada over and over. I finally get to play in front of the hometown crowd. It’s a real honor. The others feel the same way. We’re all proud to play in front of the home town folks. It’s the first time for all of us.”

He concluded, “Patrick and Kay and I have been friends for a long time. I’m thankful Patrick asked us to be part of it. It’s going to be good. I hope we have a big crowd. It’s going to be fun.”

© The Lenoir Voice, 2017. 

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On Twitter: @lenoirvoice

Previous 2017 Showcase Articles

Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians

Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil

Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase

Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase

Sycamore Bones Just Keeps Creating: Lenoir-based trio bringing their own brand of music to annual Caldwell Showcase

Sycamore Bones vertical

Sycamore Bones on stage. From left, Abigail Taylor, Cory Kinal and Andrew Massey.

Just Don’t Throw Tomatoes: Max Waters personifies talent, humility and humor that makes the Caldwell Traditional Musicians Showcase a success 

Showcase Information and Performers

The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center. 

This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.

Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.

Caldwell Junior Appalachian Musicians performing traditional string music.

Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.

MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.

Max Waters playing Southern gospel, jazz, and blues piano.

Strictly Strings performing old time and contemporary string band music.  The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.

Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.

Darren Bryant and Justin Clyde Williams performing country music.

Nancy Posey will be emcee.

 

Just Don’t Throw Tomatoes

Max Waters personifies talent, humility and humor that makes the Caldwell Traditional Musicians Showcase a success 

By Michael M. Barrick

Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.

Showcase Handmade & Heartfelt logo

LENOIR, N.C. – In addition to “Handmade & Heartfelt” for themes for this year’s Caldwell Traditional Musicians Showcase, perhaps humility and humor should be added also. That is because that is what Max Waters, who plays traditional southern gospel music, brings to the Showcase.

He also brings a ton of talent, 50 years of experience, and the respect of his peers.

Yet, when asked what he hopes the audience will experience from his performance at the Showcase, Waters said, “Well, it would be nice if no one threw tomatoes.”

I just hope the audience has half the fun listening as I expect to have playing.” – Max Waters

He added, “Other than that, I don’t think the couple of numbers I’ll be doing will be a life-changing experience for anyone. Getting to play along with Strictly Clean and Decent will be a great experience and I just hope the audience has half the fun listening as I expect to have playing.”

If longevity is any indication, his set will be a hit. He explained, “Herb Miller, who was a member of the first quartet in which Lenoir native George Younce sang, introduced me to traditional southern gospel music when I was an 18-year-old boy. I’ve spent the past 50 years accompanying groups and singers in that particular genre.”

Kay Crouch, of host group Strictly Clean and Decent, has written this of Waters in her program notes: “Max is the consummate southern gospel pianist. He has a long history with Strictly Clean and Decent, having performed with Patrick’s uncle Cole Crouch in The Messengers, and with Ron’s brother George Shuffler in The Shuffler Family Band, as well as with many others. His playing is heavily influenced by many genres outside of gospel music but it is his joy and contagious enthusiasm that delight his audiences and colleagues alike.”

Max is the consummate artist who plays his instrument flawlessly and totally understands ensemble playing. Max’s joy and enthusiasm is more than contagious. It is a pure delight to share the stage with him.” – Patrick Crouch

Patrick Crouch added, “My Uncle Cole Crouch played music with Max many years ago in the Messengers Gospel group. He talked endlessly about Max’s musical knowledge and his mastery of the piano. Uncle Cole loved Max for his music and for his attitude toward fellow musicians. I had the pleasure of playing music with Max a few years ago and experienced everything my uncle had told me. Max is the consummate artist who plays his instrument flawlessly and totally understands ensemble playing. Max’s joy and enthusiasm is more than contagious. It is a pure delight to share the stage with him.”

Explaining why he enjoys gospel music, Waters explained, “Every song turns out to be a mini message in a powerful format. Some people will come listen to gospel music that would never put their foot in a church door. Gospel has the essence of blues, country and some traditional music. It’s not the same every time. And for me anyway, it is forever challenging.”

He explained, “I do like to do my own arranging, keeping the recognized melody in place but adjusting the harmony (re-harmonization) seems to freshen-up the old familiar hymns.”

Max Waters on piano

Max Waters

Playing in the Showcase is meaningful for Waters for a number of reasons. He explained, “I was born in the Kings Creek community of Caldwell County in 1948 and today live in the Kings Creek community not a quarter mile from where I was raised. Having traveled around the world numerous times I can say without hesitation that, as far as I am concerned, no place compares with the quality of life we experience in this part of God’s green earth.”

He continued, “The Showcase is special to me because it gives me the opportunity to play along with Patrick of Strictly Clean and Decent, whose uncle Cole Crouch was my musical mentor. Cole passed away some time ago, but make no mistake about it – the man was a musical genius whose guitar work was among the best in the business.”

He concluded, “I just appreciate the opportunity to play with Strictly Clean and Decent. I have traveled all over. It is quite a pleasant experience to play again with Patrick. It’s going to be a whole lot of fun.” 

© The Lenoir Voice, 2017. 

The Lenoir voice on Facebook

On Twitter: @lenoirvoice

Previous 2017 Showcase Articles

Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians

Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil

Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase

Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase

Sycamore Bones Just Keeps Creating: Lenoir-based trio bringing their own brand of music to annual Caldwell Showcase

Showcase Information and Performers

The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center. 

This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.

Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.

Caldwell Junior Appalachian Musicians performing traditional string music.

Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.

MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.

Max Waters playing Southern gospel, jazz, and blues piano.

Strictly Strings performing old time and contemporary string band music.  The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.

strictly-strings-4

Strictly Strings as seen on the cover of their album, ‘High on a Mountain.’ Photo by Martin Church.

Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.

Darren Bryant and Justin Clyde Williams performing country music.

Nancy Posey will be emcee.

N.C. Craft Beer Industry Needs Room to Grow

Libertarian Party supports legislation that would benefit craft breweries and economic diversity in Appalachian region of North Carolina

Beer 1.jpg

By David Ulmer

RALEIGH – Most people believe if you start your own business, work hard and build it into something, you should have the right to reap the rewards. That is the American dream. However, in North Carolina some local brewers are being denied that right.

North Carolina has a prosperous and booming craft brewery industry. This economic boon was the direct result of a grassroots effort ten years ago called “Pop-the-Cap.” The reform lifted unnecessary rules and regulations on the craft brewers. It allowed the free-market to respond.

Dozens of hard working entrepreneurs started making local beer for consumers across the state. They brought in $1.2 million dollars and created more than 10,000 jobs, according to N.C. Craft Brewers Guild estimates. State community colleges even have programs to prepare young people to work in this fast growing industry.

For some politicians and special interests groups, success is a problem. Large, established distributors, with government-granted monopolies on transporting alcoholic products, lobbied for laws requiring any brewery producing more than 25,000 barrels per year to use their services. Distributors then gain total control over where craft beers may be sold.

Distributors want government to give them a cut of a business they didn’t help build.

Beer 2

Now, 25,000 barrels sounds like a lot of beer, but it isn’t. Local Breweries like Olde Mecklenburg, NoDa and Red Oak are now producing near this cap. These successful local businesses have to decide whether to keep growing – and hand over 30 percent of their revenue to someone else – or remain small.

Using government to force one business to give up the fruits of their labor to another strikes most people in North Carolina as just flat wrong. Distributors do serve a role in our beer industry, but craft breweries should only rely on them voluntarily. Amazon chooses to use FedEx or UPS, but the government doesn’t tell them who should deliver their orders. Some states, notably California and Colorado, don’t have a barrel limit. It should be no surprise that the brewers who have gone national like Sierra Nevada are based in these states.

Using government to force one business to give up the fruits of their labor to another strikes most people in North Carolina as just flat wrong.”

This isn’t a complicated or socially divisive issue. There’s simply no reason the law should lock craft breweries into relationships with distributors. We can’t allow special interests and big beer industry players based in places like Belgium to keep our local North Carolina beer industry from growing. Local businesses want to expand their sales forces and distribution networks to meet the demand they are seeing for their product across the state. Why shouldn’t they?

House Bill 67 would raise the barrel limit from 25,000 to 100,000 barrels. It’s supported by Republicans, Democrats and Libertarians. This is at least an improvement.

But the beer and wine lobby stands in the way. Distributors in North Carolina cling to a business model dependent on using government and politicians to keep their businesses profitable. The opponents of HB 67 won’t get out of the way until the people of North Carolina make it clear we still believe in the American dream.

Free Beer 1

How can you help? Go to CraftFreedom.org and sign their petition, and like their Facebook page. Let your representatives in the General Assembly know how you feel. And the next time you are in your favorite watering hole, tell the owner or manager that you support craft beer and ask them what they are doing to help.

The Libertarian Party of North Carolina supports passage of HB 67 and the efforts of CraftFreedom.org to maintain control over the businesses they built.

David Ulmer has worked in the Wake information technology sector since 2000, and is a craft beer aficionado. He was the 2016 Libertarian candidate for state House 49.

Editor’s Note: This is a guest editorial. We welcome diverse points-of-view on any manner of topics so long as they are expressed in a civil manner that is suitable for a family publication, is relevant to our audience, and does not require extensive editing. Publication does not imply endorsement. We reserve the right to refuse publication of submissions.

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On Twitter: @lenoirvoice

NC-based Sycamore Bones Just Keeps Creating

Trio bringing their own brand of music to annual Caldwell Traditional Musicians Showcase

By Michael M. Barrick

Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.

Sycamore Bones vertical

Sycamore Bones on stage. From left, Abigail Taylor, Cory Kinal and Andrew Massey.

LENOIR, N.C. – A few years ago, Andrew Massey was desperate. He wanted someone to play music with. His wife, Anna, was encouraging him to find more outlets to play the music he was beginning to write and sing. Finding a partner, though, isn’t easy. Especially when one is new to the community; breaking into a tight-knit musical scene isn’t always easy.

So, he put an ad on Craig’s List. Cory Kinal saw it, reached out to Andrew, and they’ve been playing together since. In short, even though Massey jokes the arrangement is “no strings attached,” he acknowledged, “We started jamming together and I went and bought an upright bass in South Carolina so we could start an acoustic band.”

That they did. Through a series of discussions, they settled on the name Sycamore Bones. In order to focus on those acoustic roots, the band recently added Abigail Taylor.

Massey, a vocalist who plays bass, is straightforward in his description of the band’s focus. “I would describe us as an Americana band, which is just a fancy way of saying that we take our style from a lot of different types of American roots music – Country, Blues, Bluegrass, Rock & Roll. We even like to believe there is a little bit of Punk rock in there somewhere.”

Kinal’s description is a bit more nuanced. “It’s hard to say what kind of music we play, we combine so many genres that its easiest to just call it ‘Americana,’ but I feel like that’s such a broad term. We play folk, Alt-country, bluegrassy, foot-stompin’ old-time. We play a little of everything everyone would like – or we hope they do.”

Kinal plays guitar, sings lead and, in his words, “sings sweet, sweet harmonies to the beautiful voices of my fellow bones.”

Kinal added that the band truly is hard to define. “It’s hard to describe the music of a band who plays a song about a newlywed couple promising each other everything in life then dying in a train crash, and then follows that with an uplifting song about not letting life’s worries and problems get you down.” He explained, “It’s like we’re working in unison to even each other out; it’s nice to sing some harmony on a song of happiness, when you’ve just sung a song of hard times and sorrow.”

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Cory Kinal (left) and Andrew Massey are the founding members of Sycamore Bones.

The purpose of the band’s music is clear, insisted Kinal, even if it is complex. “I hope our music exemplifies life, maybe not at its greatest, but at its deepest.” That’s why he said he doesn’t have a favorite song from their repertoire. “It changes daily or maybe weekly. I love seeing someone in the audience really get into a song. It gives me even more of a connection with the lyrics I’m singing.” He added, though,  “I’d say right this very minute my favorite song is ‘Saint Sophia.’ On the outside it’s about Saint Sophia and her three daughters, Faith, Hope and Charity who met horrific fates, but really I use their story to portray different aspects of my life, my own thoughts of faith, hope, love and charity.”

Taylor has been friends with Massey and Kinal for a few years now. She shared, “Andrew and Cory are a great mixture. Cory’s this poetic northerner and Andrew’s a heart-on-his-sleeve southerner. You’ve got kind of a gothic Country/Americana from Cory’s side and a wailing rockabilly from Andrew’s side.” She added, “I tie the two sides together with bluesy harmonies, and the occasional tambourine.”

Massey added, “We all love so many different types of music so to narrow down influences is a little hard. I know John Prine and Bob Dylan would be the first two guys I would mention. A few of my personal influences are also bands like Wilco, or the Clash and guys like Tom Waits.” He continued, “When I was 18 or 19 Bob Dylan blew my mind! This is probably the reason I picked up acoustic guitar and started writing songs. Something about those first few albums he had was like going to church for me. The simplicity and the faults in his voice, the way he used words really all connected with me.”

I’ve … been lucky enough to be surrounded by a huge amount of people that appreciate live music and support it every chance they can.” – Cory Kinal

Kinal explained why the moniker “Heartfelt” fits the music of Sycamore Bones as well as does the description, “Handmade.” He shared, “Everything, every style, every song is played with pure emotion. My influences are from punk to bluegrass and every branch of music connected to both of them. I’m proud to be surrounded by talented musicians and have been my entire life. But it’s not just the musicians that have been the greatest influences on why I play the music I do. I’ve also been lucky enough to be surrounded by a huge amount of people that appreciate live music and support it every chance they can. Without my family and my friends, I wouldn’t have had the courage or talent to start a band that plays mostly original music.”

Showcase SC&D

Strictly Clean and Decent (Kay Crouch, Patrick Crouch, and Ron Shuffler, r) are hosting their 19th Annual Caldwell Traditional Musicians Showcase

Still, the enjoyment of writing and playing original music is essential for Sycamore Bones. As Kinal shared, “I want to experience a relationship with every song we play and every audience that listens. There’s a certain feeling you get when you play an original song and you see people really connecting to it. I want people to have fun, to listen to the lyrics, the music, and really get as much joy out of our performance as we do.”

Taylor’s influences were somewhat different. “I grew up on Rhythm & Blues and Jazz; I didn’t start listening or playing the kind of music we’re playing until I went to college in Western North Carolina, where it’s everywhere! My singing style is still heavily influenced by R&B and Jazz singers. But I like to think it adds something just a little different to the guys’ sound.”

Each of the band members expressed confidence in Caldwell County’s future because of the Showcase, and spoke also of the privilege of performing in it.

Massey said, “I just want to thank anyone in the community who creates music, art, or owns a small business. It’s these people that make us who we are as a community and create a culture that we can take pride in. Keep creating!”

Taylor noted, “The showcase is a yearly staple of Caldwell County. So it’s just exciting to be a part of that tradition, and to also be a part of an event that people of all ages come to experience. We hope it remains a yearly tradition and that it continues to grow.”

Kinal continued, “We were all super excited to be asked to play the Showcase. I remember Massey saying that we’ve kind of ‘made it’ in Caldwell when Patrick and Kay ask you to play alongside the county’s best musicians. It means everything to us that they would like our music and performance enough to ask us to be part of their lineup.” He added, “Caldwell County’s story is so similar to my rust belt upbringing, so close to where I grew up that it has the same feeling for me as a town 500 miles away that influences many of my lyrics.”

Massey said the Showcase is critical to the community because, “Music keeps life worth living. It’s exciting when a whole community gets together to support that cause.” Taylor simply added, “I second what Andrew said.”

Massey concluded, “I think the goal for all of us is that people connect with lyrics of the songs. We all want people to feel what we sing and the words we write. I think that may be the most gratifying part of performing.” 

© The Lenoir Voice, 2017. 

The Lenoir voice on Facebook

On Twitter: @lenoirvoice

Previous 2017 Showcase Articles

Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians

Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil

Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase

Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase

showcase-handmade-heartfelt-logo

Showcase Information and Performers

The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.

 This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.

Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.

Caldwell Junior Appalachian Musicians performing traditional string music.

Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.

MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.

Max Waters playing Southern gospel, jazz, and blues piano.

Strictly Strings performing old time and contemporary string band music.  The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.

Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.

Darren Bryant and Justin Clyde Williams performing country music.

Nancy Posey will be emcee.

 Editor’s note: Abigail Taylor is also co-owner of The Lenoir Voice.