Sweet Serendipity
Up close and personal with Appalachian legends
Note: This is the seventh installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” Learn more here.
By Michael M. Barrick
Cover of Billy Edd Wheeler’s newest work
BLACK MOUNTAIN, N.C. – Considering the number of times that our family has seen Kathy Mattea in concert, it is a wonder that she does not have a restraining order against us. We behave, but we are enthusiastic. So, you can appreciate my delight at finding out that Ms. Mattea was going to be in Black Mountain this past Saturday at a legendary listening room, the White Horse Black Mountain.
My wife and I had a rare, impromptu opportunity to scoot out for a date, so I was snooping around on the web (it does have its value) and typed in her name. Up came up an event posting with this sign:
White Horse Black Mountain marquee
Immediately, I realized this wasn’t “simply” a Kathy Mattea concert; in addition, there was going to be Appalachian story-telling. As the marquee said in shorthand, Ms. Mattea was going to be there to converse with Billy Edd Wheeler. Mr. Wheeler, 85, had written songs that Ms. Mattea used on her album “Coal,” released in 2008. Three of the eleven songs were written by Mr. Wheeler – “Red Winged Blackbird,” “Coal Tattoo,” and “The Coming of the Roads.” The lyrics to Wheelers’ songs (and the others) can be found here. You can listen to Ms. Mattea’s version of “Coal Tattoo.”
Indeed, when that album was released, we saw Ms. Mattea in concert. That is one of the joys of her albums and concerts. They are often thematic, but she doesn’t forget what other songs her fans love. In any event, when I looked at the lineup, I knew we were in for a treat even better than a concert. We were going to hear from Appalachian artistic legends – if I could get tickets.
So, I called and was fortunate enough to score two of the last tickets. Sweet serendipity was in play now, so I was beginning to have a peaceful, anticipatory sense of what awaited us.
My instincts or whatever you care to call them were spot on. Douglas Orr, the president emeritus of Warren Wilson College, moderated a conversation with Mr. Wheeler about his new book, “Hotter Than a Pepper Sprout: A hillbilly poet’s journey from Appalachia to Yale writing hits for Elvis, Johnny Cash & more.”
Mr. Wheeler attended Warren Wilson on his winding path to Yale and a lifetime of writing hits for Appalachian legends. A member of the Nashville Songwriters Hall of Fame, Mr. Wheeler has written hits for Johnny Cash, Elvis Presley, Judy Collins, Neil Young, The Kingston Trio, Kenny Rogers and others.
He now lives in Swannanoa, N.C., but like Ms. Mattea, is a West Virginia native. So, the conversation meandered between the history and music of the Blue Ridge Mountains of North Carolina and the Allegheny Plateau that constitutes much of West Virginia. He and Ms. Mattea discussed with compassion and wisdom the complexity of singing about coal mining, alluding to the love/hate relationship that so many mountaineers have with coal. If you’d like more insight on that, read the “Coal” liner notes by Homer Hickam, another West Virginia native who grew up in coal country (Coalwood). He gained fame for his book, “Rocket Boys” about growing up in late 1950s West Virginia. It was made into the movie, “October Sky.”
It was a lovely diversion, much like slowly chugging down a gravel road is from the insanity of interstate driving. In other words, it was a great stop along the Hillbilly Highway. I suspect that if during your travels you happen to run into any of the folks we saw Saturday night, you will understand why I consider being called a hillbilly a compliment and a term of endearment.
Mr. Wheeler was understated – humble – in his responses, but he was also typically blunt, a trait not uncommon to West Virginians. Ms. Mattea, meanwhile also exemplified Mountaineer humility, demonstrating once again why we love her so. She is releasing her newest album, “Pretty Bird” on Sept. 7, though she’ll be previewing it on Mountain State at the closing of the Augusta Heritage Festival in Elkins, W.Va on Aug. 11. She never once mentioned either the album or concert.
It was clear that she cared about one thing – letting the 200-plus folks in attendance know just what Billy Edd Wheeler meant to her and all of Appalachia.
High Coal, W.Va. (top right hand corner) ©, 2015 DeLorme Atlas and Gazetteer of West Virginia
So, all ears were perked as Mr. Wheeler talked about his youth in High Coal (or Highcoal, depending upon who is spelling it). Though now abandoned, it is seen on the map in Boone County, near the junction with Raleigh and Kanawha counties – the heart of the deep, dark coalfields of southern West Virginia. It is near here that the West Virginia Mine Wars occurred a century ago and where Bill Blizzard, Mother Jones and thousands of others risked their lives to unionize the mines.
Between stories, Ms. Mattea and the band Whitewater Bluegrass would play one of Mr. Wheeler’s tunes after he had shared the history of it.
Essentially, it was what was once a typical summer evening in Appalachia. No air conditioning, lots of tall tales, toe-tapping music on the front porch and – at our house anyway – Pabst Blue Ribbon.
© Michael M. Barrick, 2018.
Note: I have no quotes from last Saturday, because I was there to enjoy time with my wife, listen to story-telling and music, and drink beer. At that, I succeeded. However, I’m not good at multi-tasking, so I couldn’t take notes. So, I will eventually write a review of Mr. Wheeler’s book – between PBRs. Or, if you prefer, you can get a copy at Black Mountain Books & Cases at 103 Cherry Street in Black Mountain.
Music along the Hillbilly Highway is ‘Handmade & Heartfelt’
Kay and Patrick Crouch have taught and inspired thousands of students and others in the region; they are also premier promoters of the music of Caldwell County and Southern Appalachia
By Michael M. Barrick
Note: This is the sixth installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” It is an abridged version of an article originally published in 2017. Learn more here.
The Grand Finale of a Caldwell Traditional Musicians Showcase
LENOIR, N.C. – Before we ride the Hillbilly Highway out of Caldwell County for now, our first leg of our tour along the Hillbilly Highway would be incomplete without first acknowledging a couple that have worked tirelessly to preserve and pass along Appalachia’s musical heritage – from Blues to Bluegrass and everything in between.
Handmade & Heartfelt
When I interviewed Kay and Patrick Crouch in 2017, just a few of weeks before the 19th Annual Caldwell Traditional Musicians Showcase, they were relaxed – the kind of relaxed that is rooted in two decades of experience – as they discussed preparations for the concert during a visit to their home studio. (The 20th Annual Showcase was held in 2018, and the 21st is already scheduled for March 9, 2019).
Patrick explained the genesis of the theme for 2017, “Handmade & Heartfelt.” He said, “Some years I have the title in my brain and then get the musicians that fit. This year, however, I had this group of people who I love and admire as people and musicians that I’ve been wanting to get on the show. So, it will feature various styles of music – some is original, but all comes from the heart.”
Everybody truly loves music. It is the universal language … .” – Patrick Crouch
The 19th Showcase included eight groups or individuals, including Strictly Clean and Decent, which is Patrick and Kay’s collaboration with Ron Shuffler. The total of musicians performing was about two dozen, in addition to members of the Caldwell Junior Appalachian Musicians performing traditional string music.
Pointing out that 19 years of experience of preparing and hosting the showcase has made it easier for them, Patrick shared, “Now we have a tradition established. I already know what we’re going to do for the 20th.”
Strictly Clean and Decent (Kay Crouch, Patrick Crouch, and Ron Shuffler) host the Annual Caldwell Traditional Musicians Showcase
Patrick and Kay acknowledged that not every one of the more than 200 musicians that have appeared in the showcase as of this year are Caldwell County residents, but all have roots to the county. “It’s the traditional music that’s the connection,” offered Kay. She continued, “It’s good to connect with folks from outside Caldwell County. The real value is that these folks see what we’re so proud of.”
Patrick shared, “It is unfathomable to think that more than 200 musicians who live in or have ties to Caldwell County have performed. Our goal was 100. After 10 years, we had reached 128. When we started this, this was our stage that we wanted to share. It is incredible to think about how many musicians we have shared that stage with.” Smiling, and looking at Kay, he added, “It’s just the tip of the iceberg. We have such a community of musicians here. It’s going to just keep growing.”
He continued, “Music flows. It flows from the performer. It’s not something you think about. It’s what we do. The sign of an artist is playing whatever they want.”
Musician Patrick Crouch of Lenoir, N.C. always takes plenty of time to share a story or two about the history and music of Appalachia © David Courtner
That’s exactly what happens at the Showcase. Patrick sends out a schedule to the musicians, tells them how much time they have and how many songs they can play, but does not tell them what to play. He explained why. “Everybody truly loves music. It is the universal language. The audience knows that. The biggest challenge is for the musicians to limit their selections.” He continued, “I don’t give a lot of direction. Early on, we met a lot. Now it’s better to just let things be as they may.”
Besides the quality of musicians that play at the Showcase, Patrick says another reason for its success is how the community of musicians support it. “Those who don’t play in it still come out. Some come during sound check just to see folks they haven’t seen in a while. And, of course, we’ve enjoyed the support of the people of Caldwell County from the beginning.”
Sitting in a room surrounded by CDs, musical memorabilia, instruments and a recording studio, Patrick sat up in his chair and shared, “I stick my chest out when I say I’m from Caldwell County and am talking about our music.”
© Michael M. Barrick, 2017-2018.
Wilson Creek a Must Stop on the Hillbilly Highway
Getting to it is not an easy drive or hike, but it’s worth it
Note: This is the fourth installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” Learn more here.
By Michael M. Barrick
Wilson Creek in Caldwell County, N.C.
MORTIMER, N.C. – Wilson Creek is misnamed. Part of the National Wild and Scenic Rivers System, it starts out small near the top of Grandfather Mountain, but after tumbling thousands of feet through an ever-widening gorge in the Pisgah National Forest, it has the power of a river.
It has been known to wipe out towns and isolate communities for days. Indeed, Wilson Creek has destroyed this and nearby communities twice – in 1916 and 1940. In fact, the second flood forever wiped out the logging industry which drove the region’s commerce so successfully, that despite its isolation in the rugged hills of the northwest section of Caldwell County, it could have become the center of government and commerce in the county.
The 1940 flood, though, took out homes, churches, sawmills, roads and sections of the narrow-gauge railroad that led in and out of this remote, heavily-forested sloped village on the Blue Ridge Escarpment. Now, its 27-mile drop to the Johns River is through remote – rather, inaccessible – areas of the thick and dark Appalachian forest. Only the experienced hiker should venture its steep, rock slopes. Swimmers should beware of deceptively deep, but teasingly appealing pools. Kayakers are common sites in any season. Like me, they seem to prefer weekdays in the spring and fall, though the water is generally higher in the spring.
![Wilson Creek 4 [Gorge]](https://appalachianchronicle.files.wordpress.com/2018/06/wilson-creek-4-gorge.jpg?w=620)
Wilson Creek earned its designation as a National Wild and Scenic River in August 2000 after community leaders convinced elected officials at the local and federal level to work together – across party lines – to protect and preserve it. It can be viewed by driving along the narrow and dusty Brown Mountain Beach Road, which runs from Adako Road to Rt. 90 in Mortimer. Here, once on Rt. 90, the traveler will be on the only state road in North Carolina not completely paved. There are parking spots along Brown Mountain Beach Road, but the hike down to the creek is strenuous at time, but certainly worth it, especially where the gorge empties into a large pool where the creek abruptly levels out.
There is plenty to see and lots of kind folk to meet in nearby Edgemont and Collettsville. In Edgemont, at the old train depot, decades after the last trail rails were taken up, one can still see the circle of earth made bare where the Roundabout was. With that as a clue, one can venture into the nearby forest and see evidence of the railroad bed. The old station is large with many benches.
Early in the 20th Century, Edgemont was the last stop listed on train schedules in the local newspaper. Beginning in Newton in Catawba County, the train would stop in Hickory, Granite Falls, Lenoir, Mortimer, Edgemont and other small towns, perhaps with only the train station. It clung harrowingly to the steep cliffs into which the rail path had been carved, though it would have been worth it, just for the view of Wilson Creek.
There is a visitor center on Brown Mountain Beach Road and for the adventurous, one can hike along the headwaters. One can access it – and the Appalachian Trail – from a small parking area below the Linn Cove Viaduct of the Blue Ridge Parkway.
I have spent hundreds of hours over the past 44 years sitting on my favorite relatively gently sloping cliff of Wilson Creek. In every season. I’ve hiked it at its headwaters and I’ve sloshed through it near its mouth where it empties into the Johns River. I have meditated and never ceased pondering what is around the next rock, over the next log, or just under my next step as I hike it.
For me, it represents what I love about Appalachia, about traveling along the Hillbilly Highway. It is adventure. It’s fun. It’s risky. It is a place to take visitors, whether to look out a car window or put on hiking boots. It is stunningly beautiful and essential for preserving for future generations.
In short, it is rightfully a National Wild and Scenic River. It is also a must stop along the Hillbilly Highway.
© Michael M. Barrick, 2018
Towering Mountains and Church Steeples along the Hillbilly Highway
The Grandfather of mountains affords mile-high stunning views
Note: This is the second installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” Learn more here.
By Michael M. Barrick
FOSCOE, N.C. – Towering mountains and church steeples are common sites in Appalachia. Not so common are swinging bridges that are a mile high. But there it is on the far left – The Mile-High Swinging Bridge on Grandfather Mountain in North Carolina. Seen here from N.C. Rt. 105 in Watauga County, the bridge was built in 1952 and renovated in 1999.
Winds of more than 100 miles an hour and temperatures below zero have been recorded there. Not far further up the road, one can see the famous “profile view” that gives the mountain its name – the appearance of a Grandpa – beard and all, reclining. Its peak is the intersection of Avery, Caldwell and Watauga counties. Indeed, Caldwell County, where we live, has the greatest rise in elevation among the state’s 100 counties, from roughly 1,000 feet to just under 6,000 feet. Its peak is the banner on The Lenoir Voice.
© Michael M. Barrick, 2018
Andrew Massey Living Lenoir’s Legacy
Pickin’ and playing on the porch as old as this Western North Carolina county
Note: This is the first installment in “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.” I’m beginning as about to close as home as I can get – a neighbor of our daughter. Caldwell County is full of fascinating people and wondrous beauty, so many of our first installments will be from here, but I’m working my way up to at least the Mason-Dixon line over the next few weeks and months. Learn more here.
By Michel M. Barrick
LENOIR, N.C. – Since the first European pioneers explored the Yadkin Valley and settled Tucker’s Barn – our modern day Lenoir – music has been central to our heritage.
Above, my buddy Andrew Massey takes a few minutes to pick on his guitar on his back deck. Constantly writing, he played two new tunes. Pickin’ and singing on your porch is nothing new in Lenoir or anywhere in Caldwell County. It’s a way of life. Musicians thrive off of each other and the heritage is continued!
It’s always a joy to enjoy the creative offerings of Andrew and his many friends. Indeed, he is part of Sycamore Bones, a local band that plays regionally and played an electrifying set in the 19th Annual Caldwell Traditional Musicians Showcase.
One thing I concluded for certain from listening to Andrew offer his latest creations on an unseasonably warm and beautifully sunny February afternoon – the arts community truly is the shining light of Lenoir. Lenoir, in turn, continues to play a vital role in the preservation of traditional Appalachian music. It is a must stop along the Blue Ridge National Heritage Area. If interested, learn more here.
© Michael M. Barrick, 2018.
Learning by Teaching
Fellow students respond favorably to comic strip about Mountaintop Removal
Editor’s note: On Dec. 1 we published an article about Olivia Bouzigard’s efforts to educate herself and others at Appalachian State University about the deadly impact of Mountaintop Removal (MTR). I asked her to write an essay explaining how she chose the topic and method for teaching it. She explains below. Personally, I extend thanks to her instructor, Heather Custer, who has the rare ability to challenge her students to demonstrate evidence of minds at work. Also, the illustration is published again, just in case you missed it the first time. – MB
By Olivia Bouzigard
BOONE, N.C. – I am a sophomore at Appalachian State University (ASU) with a major in Public Relations and minors in Recreational Management and Philosophy. I am currently enrolled in a writing class where I was to take on the task of writing about an issue that I thought was important. When I came to ASU as a first year student, I was enrolled in a recreational management class where I learned about Mountaintop Removal (MTR). This was the issue that I chose to write about.
Mountaintop Removal. Photo courtesy of Ohio Valley Environmental Coalition
The first part of the project dealt with composing a white paper of the research that I had done. I interviewed several people, read books, watched a documentary and read through health studies people had researched about MTR. Finally, the second part of the project was to come up with another way to present this information. I chose to make a comic strip that combined all my research together into three simple illustrations. Then as part of the project’s requirements we had to somehow present this information. I chose to set up a contact table in the student union on campus and ask people for their time as I passed out my comic and taught them about MTR.
Essentially, I wanted to illustrate a pattern that one cannot easily escape the effects of MTR and that everything that comes with MTR is devastating.
As students passed by the table I would stop them to ask if I could have a few minutes of their time. For those who said yes, I followed with the simple question: Do you know what Mountaintop Removal is? Those who said they did, I asked how they knew what it was and asked them to give me a description. Many said they had learned about it at ASU or in a class in high school, which I thought was interesting.
I then asked them to give a brief description of what they knew about MTR. One student responded, “It has to do with our energy and stuff, right?” Another student said, “I know that it is bad.” However, no one could give me an overall quick description of it. A key goal of my project was to help students to be able to quickly define it, so in the comic strip, I start off with a definition of MTR from the U.S. Environmental Protection Agency. Those who said they did not know what mountaintop removal was, that definition is the one I used.
Illustration by Olivia Bouzigard
I then explained the comic to the students that stopped by. I shared that the mountain is upset because it has no say in whether it is destroyed or not. Coal companies are known for coming in quickly, destroying the area, and then quickly leaving. Their focus is only on the coal and nothing else. Then the comic moves into air that is upset and lungs that are upset. The purpose of this drawing is because many people are breathing in the particles from the removal sites and do not realize it, so their lungs become damaged. The final picture shows a sad house, a sad human and an angry crane. This illustrates that MTR not only devastates the mountains but devastates the towns and ruins them. It also is illustrating that the people of these towns have no say in whether these coal companies come and they just wait for them to leave. The angry crane shows that the coal company is just there to get the job done and leave.
Essentially, I wanted to illustrate a pattern that one cannot easily escape the effects of MTR and that everything that comes with MTR is devastating.
After presenting the comic to students, I asked if it was helpful. Everyone said yes. Comments included that they now know what it is. There were many comments of gratitude for sharing the information and acknowledgements that MTR is a significant public health and environmental issue.
Still, I am not done. I know that people have spent lifetimes learning about opposing MTR, so I intend to continue to educate myself about MTR, keeping others informed and finding alternatives. The comic strip was a first, but very powerful step for me and those I taught.
© Olivia Bouzigard, 2017.
MTR photo courtesy of the Ohio Valley Environmental Coalition. To learn more about their work, visit their website.
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ASU Student Uses Art to Teach Peers about MTR
A mind at work inspired research and response
By Michael M. Barrick
BOONE, N.C. – In late October, a professor at Appalachian State University (ASU) reached out to me because she had a student that wanted to learn more about Mountaintop Removal (MTR). I immediately contacted the student, and within two weeks we were meeting at a coffee shop in Boone.
Olivia Bouzigard, a graduate of a high school in Raleigh, N.C., confided to me that until she enrolled at ASU, she had never heard of MTR. So, prior to and following our meeting, I sent her links and information about people and organizations in Appalachia – in particularly West Virginia – that were fighting to end MTR because of its deadly effects on people and the destruction it caused to vital ecosystems and watersheds.
I was impressed even before I met her, as our email exchanges revealed evidence of a mind at work. When I finally met Olivia, her interest and concern were clear. I don’t keep track of time well, so I don’t know how long we met, but it wasn’t long enough to tell her everything she needed to know. It didn’t matter. From that meeting, Olivia ran with it.
What is impressive about her interest is that MTR is not really relevant to her major. She just cared. So, the other – and perhaps most important thing that impressed me about Olivia – is that she defied the stereotype that I hear from far too many people – that the current college-aged generation is self-absorbed.
As I traveled down the mountain back home from our meeting, I wasn’t sure what Olivia would do with her new knowledge and interest, but I was confident she would do something. Oh my, did she ever. The comic above says more in five simple illustrations than the thousands of words I have written about MTR. Most noteworthy is that she is using the comic to educate her fellow students at ASU.
So to Olivia and her like-minded peers, I say, Bravo! Thank you for caring about the poor and vulnerable. Thank you for caring for the environment. Thank you for looking beyond your own concerns to the needs of others. Thank you for being creative. Finally, thank you for challenging people of all ages to educate themselves about MTR and other assaults upon Appalachia and all of the sacred earth which sustains us.
Finally, thank you for giving me hope about the future. When I was teaching, I always challenged my students with this guiding tenet: Every day, all that I ask is that I see evidence of minds at work. With Olivia, that is exactly what I experienced.
© Michael M. Barrick, 2017. “Classic Mountaintop Removal” comic, © Olivia Bouzigard, 2017
The Deceived ‘god’
A poem dedicated to Dominion Resources
By Michael M. Barrick
Note: This poem is dedicated to Dominion Resources. Originally published in January 2015, I am re-publishing it today in light of recent news stories about Dominion, including this one we published yesterday and this one.
Dominion they call themselves.
And they believe it.
They have deceived themselves,
intoxicated by false power.
They are a god – of greed.
Though their foundation is illusory,
disregarding all in life that is of true value,
it sustains them for they esteem only profit.
Their minions are experts in the law.
Like Sanhedrin, they use the letter
to crush the spirit.
What is theirs is not enough;
what is yours is in their sights.
What is yours is negotiable –
on their terms.
What is sacred to you
they curse.
The old home place;
the sunrise over the ridge;
the moon hanging in the
deep blues of night.
The stars which pre-date
their temporal, mortal
white-washed tombs,
they don’t even glimpse.
The only green they see
is on currency.
The ancient rocks,
which for generations
have served as sentinels,
as comforting reminders of
a shared heritage,
they plow away
with their machines.
A walk in the woods,
which for you is a moment
of holiness – an opportunity
to pass along wisdom
to your grandchildren –
is to them merely a survey.
The narrow, crooked paths
made through time by
your ancestors
will not be enjoyed by
your descendants.
They shall cross them
with a straight, 42-inch
cylinder of pipe,
indifferent to the heritage
they disrupt and destroy.
Above, the author enjoys a walk in the woods with his granddaughter in Lewis County, W.Va. Below is Shenandoah Mountain in Virginia. Photo by Brad Striebig. Though Dominion did not create these streams, woods, ridges and mountains, it will not hesitate to claim it all as its own and destroy it. Unless, we dare to speak out.
© Appalachian Chronicle, 2014 – 2017
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Lindsay Barrick to Lead Caldwell Arts Council
Longtime Caldwell resident that benefited from the Council as a student is named Executive Director
Lindsay Barrick
LENOIR, N.C. – The Caldwell Arts Council (CAC) is pleased to announce that Lindsay Barrick will become its sixth Executive Director, effective April 29. During her time as the CAC Social Media Manager, Barrick has overseen the creation and dissemination of content on various social networking platforms. She has been a long-time advocate and supporter of the CAC, other arts venues, and many individual artists, musicians, writers, and thespians.
She currently serves as Director of Programs and New Media for St. Luke’s United Methodist Church in Hickory as well as studio manager and printmaking instructor at the Hickory Museum of Art. A native of West Virginia, she spent most of her formative years in Caldwell County. Barrick is passionate about the arts and the people of Appalachia.
She said, “I am honored and thrilled to serve an organization I have loved since I was a young girl. It will be my great joy to continue the important work of Caldwell Arts Council: introducing school children to live theatre through our Artists in Schools program; preserving traditional Appalachian music through JAM; encouraging participation in poetry and acting through our annual competitions; supporting non-profits and individual artists in their vital efforts through grants; and presenting opportunities for artists and musicians to share in the thrill of exhibiting their craft.”
Barrick continued, “I also look forward to developing new ways to connect our community members and the arts. I have tremendous respect for former Executive Director Lee Carol Giduz and current Executive Director Adrienne Roellgen. I know much can be learned from their leadership.” She also praised the current staff, volunteers and board, adding, “Launi, Cathy, Bob, our dedicated volunteers, generous board members, and I already work so well together. I’m excited about the possibilities going forward.”
Barrick said, “Adrienne will continue to serve as Executive Director through April 28. We appreciate her enduring enthusiasm and love for Caldwell Arts Council. We wish her and her family the very best as they begin an exciting new chapter in Los Angeles.”
© The Lenoir Voice, 2017.
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JAM: ‘Building Community One Tune at a Time’
Inspiring program is preserving music, history and communities of Appalachia
By Michael M. Barrick
Strictly Strings. Photo by Martin Church.
LENOIR, N.C. – The Junior Appalachian Musicians (JAM) program says on its website “We’re building community one tune at a time.”
That’s a fact, as I saw it on display last night here at the 19th Annual Caldwell Traditional Musicians Showcase. There, among many other great musicians, we saw and heard the group Strictly Strings, which was born out of the Boone, N.C. JAM affiliate. (Learn more here: Strictly Strings Carrying on the Old-Time Tradition).
Strictly Strings on stage. Photo by Lonnie Webster.
Below each photo are statements from JAM’s website. We hope these photos and insights will motivate you to click on the links above and learn more about this vital educational music program that is preserving the history, traditions and communities of Appalachia. If you have a chance to see Strictly Strings or any JAM shows of the roughly 40 affiliates in southern Appalachia, do it! You’ll see and hear history come alive.
Members of Caldwell JAM at MerleFest 2016
We envision a world in which all children have the opportunity to experience community through the joy of participating in traditional mountain music together.”
Strictly Strings as seen on the cover of their album, ‘High on a Mountain.’ Photo by Martin Church.
Our mission is to provide communities the tools and support they need to teach children to play and dance to traditional old time and bluegrass music.”
Caldwell JAM musicians perform for North Carolina’s legislators on ARTS DAY
We believe that children who are actively engaged in traditional mountain music are more connected and better prepared to strengthen their communities for future generations.”
Strictly Strings photo by Martin Church.
Read about Caldwell, N.C. JAM here.
© Michael M. Barrick, 2017
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