Up close and personal with Appalachian legends

Note: This is the seventh installment from “The Hillbilly Highway, Volume 2: Seeds, Songs and Streams.”  Learn more here.

By Michael M. Barrick

Cover of Billy Edd Wheeler’s newest work

BLACK MOUNTAIN, N.C. – Considering the number of times that our family has seen Kathy Mattea in concert, it is a wonder that she does not have a restraining order against us. We behave, but we are enthusiastic. So, you can appreciate my delight at finding out that Ms. Mattea was going to be in Black Mountain this past Saturday at a legendary listening room, the White Horse Black Mountain.

My wife and I had a rare, impromptu opportunity to scoot out for a date, so I was snooping around on the web (it does have its value) and typed in her name. Up came up an event posting with this sign:

White Horse Black Mountain marquee

Immediately, I realized this wasn’t “simply” a Kathy Mattea concert; in addition, there was going to be Appalachian story-telling. As the marquee said in shorthand, Ms. Mattea was going to be there to converse with Billy Edd Wheeler. Mr. Wheeler, 85, had written songs that Ms. Mattea used on her album “Coal,” released in 2008. Three of the eleven songs were written by Mr. Wheeler – “Red Winged Blackbird,” “Coal Tattoo,” and “The Coming of the Roads.” The lyrics to Wheelers’ songs (and the others) can be found here. You can listen to Ms. Mattea’s version of “Coal Tattoo.”

Indeed, when that album was released, we saw Ms. Mattea in concert. That is one of the joys of her albums and concerts. They are often thematic, but she doesn’t forget what other songs her fans love. In any event, when I looked at the lineup, I knew we were in for a treat even better than a concert. We were going to hear from Appalachian artistic legends – if I could get tickets.

So, I called and was fortunate enough to score two of the last tickets. Sweet serendipity was in play now, so I was beginning to have a peaceful, anticipatory sense of what awaited us.

My instincts or whatever you care to call them were spot on. Douglas Orr, the president emeritus of Warren Wilson College, moderated a conversation with Mr. Wheeler about his new book, “Hotter Than a Pepper Sprout: A hillbilly poet’s journey from Appalachia to Yale writing hits for Elvis, Johnny Cash & more.”

Mr. Wheeler attended Warren Wilson on his winding path to Yale and a lifetime of writing hits for Appalachian legends. A member of the Nashville Songwriters Hall of Fame, Mr. Wheeler has written hits for Johnny Cash, Elvis Presley, Judy Collins, Neil Young, The Kingston Trio, Kenny Rogers and others.

He now lives in Swannanoa, N.C., but like Ms. Mattea, is a West Virginia native. So, the conversation meandered between the history and music of the Blue Ridge Mountains of North Carolina and the Allegheny Plateau that constitutes much of West Virginia. He and Ms. Mattea discussed with compassion and wisdom the complexity of singing about coal mining, alluding to the love/hate relationship that so many mountaineers have with coal. If you’d like more insight on that, read the “Coal” liner notes by Homer Hickam, another West Virginia native who grew up in coal country (Coalwood). He gained fame for his book, “Rocket Boys” about growing up in late 1950s West Virginia. It was made into the movie, “October Sky.”

It was a lovely diversion, much like slowly chugging down a gravel road is from the insanity of interstate driving. In other words, it was a great stop along the Hillbilly Highway. I suspect that if during your travels you happen to run into any of the folks we saw Saturday night, you will understand why I consider being called a hillbilly a compliment and a term of endearment.

Mr. Wheeler was understated – humble – in his responses, but he was also typically blunt, a trait not uncommon to West Virginians. Ms. Mattea, meanwhile also exemplified Mountaineer humility, demonstrating once again why we love her so. She is releasing her newest album, “Pretty Bird” on Sept. 7, though she’ll be previewing it on Mountain State at the closing of the Augusta Heritage Festival in Elkins, W.Va on Aug. 11. She never once mentioned either the album or concert.

It was clear that she cared about one thing – letting the 200-plus folks in attendance know just what Billy Edd Wheeler meant to her and all of Appalachia.

High Coal, W.Va. (top right hand corner) ©, 2015 DeLorme Atlas and Gazetteer of West Virginia

So, all ears were perked as Mr. Wheeler talked about his youth in High Coal (or Highcoal, depending upon who is spelling it). Though now abandoned, it is seen on the map in Boone County, near the junction with Raleigh and Kanawha counties – the heart of the deep, dark coalfields of southern West Virginia. It is near here that the West Virginia Mine Wars occurred a century ago and where Bill Blizzard, Mother Jones and thousands of others risked their lives to unionize the mines.

Between stories, Ms. Mattea and the band Whitewater Bluegrass would play one of Mr. Wheeler’s tunes after he had shared the history of it.

Essentially, it was what was once a typical summer evening in Appalachia. No air conditioning, lots of tall tales, toe-tapping music on the front porch and – at our house anyway – Pabst Blue Ribbon.

© Michael M. Barrick, 2018. 

Note: I have no quotes from last Saturday, because I was there to enjoy time with my wife, listen to story-telling and music, and drink beer. At that, I succeeded. However, I’m not good at multi-tasking, so I couldn’t take notes. So, I will eventually write a review of Mr. Wheeler’s book – between PBRs. Or, if you prefer, you can get a copy at Black Mountain Books & Cases at 103 Cherry Street in Black Mountain.