Boone, N.C. -based group brings energy, excellence and creativity to Showcase
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.
BOONE, N.C. – Though Watauga County is home for Strictly Strings, the group clearly has a natural home in the 19th Annual Caldwell Traditional Musicians Showcase. The five-member band has connections to Caldwell County through the Boone campus of Caldwell Community College & Technical Institute. That is not all though. The group’s enthusiasm for traditional music clearly marks their music as heartfelt.
Indeed, the group’s enthusiasm for – and mastery of – traditional music is apparent in its newly released album, “High on a Mountain.” The title track can be heard on the band’s website. It includes 16 songs, most of which are covers of traditional Appalachian music, but also includes some original work as well. In another connection to Caldwell County, the album was recorded and engineered by Patrick Crouch in Lenoir at Ticknock Studio.
Strictly Strings is Kathleen Burnett on fiddle and vocal, Anissa Burnett on bass, fiddle and vocal, Willow Dillon on fiddle, cello, banjo, and vocal, and Caleb Coatney on mandolin, guitar and banjo. As the senior member of the group, Cecil Gurganus holds down the rhythm guitar and vocals.
Gurganus, who moved to Watauga County in 1976, began to teach fiddle classes in the Boone Junior Appalachian Musicians (JAM) Program about a decade ago. He shared, “Strictly Strings band came out of our many years together in the classes, as well as their interest in all the other instruments.” He added that the members are determined to create “diversity for themselves.” He explained, “While we started out as an old-time fiddlers and string band – hence, ‘Strictly Strings’ – these young musicians are consistently seeking out a variety of musical tastes, including great vocals.” That explains the assertion on the group’s website, “Strictly Strings is no longer strictly strings.”
Also according to its website, “The group … has blossomed into an exciting multi-faceted band, enjoying the genres of old time, bluegrass, Irish, and swing, all topped off with fresh harmony vocals.”
Gurganus shared how he came to appreciate the music of the region after moving to Watauga County from South Carolina to help teach a class on traditional instrument building with Stanley Hicks. He said, “I played music in the Blowing Rock bar scene to make some cash. I was learning to play the fiddle, thinking bluegrass.” But, he continued, “What I found in the mountains of Watauga was a rich heritage of old-time music, fiddling, banjo picking (clawhammer style), ballads and dancing. I met many traditional musicians who had never been recorded, the exception being Doc Watson, of course.”
Gurganus continued, “The depth of the non-commercial old-time fiddling struck a chord with me, and I took the old-time path, away from the more commercial radio music called bluegrass. And, actually, there is a great deal of crossover between the genres. One person described the difference as ‘bluegrass showcases the individual musician, old-time music showcases the tunes.’”
He added, “I was a part of the Laurel Creek String Band, which played around Boone for old-time dances, weddings, ASU events, parties, and just for our own pleasure. So my influences were the older generation local musicians I met or listened to such as Doc Watson, Fred Price, Clint Howard, Ora Watson, Glenn Bolick, Stanley Hicks, and those I met in the numerous fiddlers’ conventions around the region.”
Through Strictly Strings, Gurganus is passing along that heritage. He shared, “I hope we can showcase the talents of these young musicians, and to honor them as the next generation carrying on traditional music in any genre. We are honored for Patrick Crouch to have asked us to be a part of this amazing and diverse group of musicians in the Showcase.”
Following are brief biographies of each of the band members (to read the entire biographies, visit the group’s website).
Cecil Gurganus – Guitar, Vocals: Cecil has been a part of the old time music community in Watauga County since 1976, playing fiddle in the Laurel Creek String Band. He has been an instructor in the Watauga Junior Appalachian Musicians (JAM) Program at the Jones House in Boone since its inception in 2006. As fiddle instructor and mentor for the young members of Strictly Strings for more than five years, Cecil has seen these JAM students come full circle, as they have become a working, performing band, including beautiful vocals, and now teaching him tunes!
Kathleen Burnett – Fiddle, Vocals: Kathleen was born and raised in the mountains of Boone. She began playing the fiddle and singing at the age of 5, and has grown up performing in several local bluegrass and old-time bands. At age seven, Kathleen began instructional classes in the Boone JAM program, which has been an integral part of her musical growth, as well as performing with her sisters in The Burnett Sisters. Kathleen plays the fiddle and guitar, and is the lead singer for Strictly Strings. Currently, she is enrolled in Caldwell Community College, and plans to pursue a B.A. in Old time/Bluegrass/Country music at East Tennessee State University.
Anissa Burnett – Bass, Fiddle, Vocals: Dedicated to learning and performing traditional old-time music, Anissa has also developed an interest in jazz, bluegrass, Celtic, gospel, and other genres of music rooted in the south and Appalachians. She has absorbed much of her music while growing up in Boone, being involved with the JAM program as well as attending many local festivals and gatherings.
Willow Dillon – Banjo, Fiddle, Vocals: Willow spent the years of her early childhood in Hawai’i, where she was introduced to the world of music through ukulele and keyboard lessons. She soon developed a strong passion for music when she moved back to the mainland and enrolled classical violin lessons at her local school. After her first session, her teacher decided to teach her old-time style fiddle instead. When Willow was introduced to the old-time fiddle style she knew that that was the style she wanted to play. When her family moved to Boone, she found the JAM program and started learning traditional Appalachian fiddle from all of the instructors there. … Willow picked up the banjo a few years after learning fiddle and has mostly taught herself to play banjo with the help of a few friends and teachers along the way. After playing banjo for almost a year, she grew an endless passion for the clawhammer style.
Caleb Coatney – Mandolin, Banjo, Guitar: Caleb has played music since he was five, when he started learning piano. Soon after, he began participating in the JAM program at the Jones House in Boone. There, he started on mandolin, but quickly added guitar and clawhammer banjo. Currently, he helps as a teaching assistant in these community classes for children and adults. Caleb has grown up playing traditional old-time, bluegrass, and Irish tunes, but he also plays rock music. During the summer, Caleb enjoys competing at fiddler’s conventions, where he’s placed high in several mandolin and banjo competitions.
© The Lenoir Voice, 2017.
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Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
Showcase Information and Performers
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be emcee.
Will our young people stay or go? (An article from our sister publication, The Lenoir Voice)
LENOIR, N.C. – From the time that narrow-gauge railroad lines were built into the mountainous regions of Caldwell County in the late 19th Century – in particular near Edgemont and Mortimer – the furniture industry dominated the economy of Lenoir for a century. The hardwood forests of the slopes of the Blue Ridge Escarpment provided the most important raw product.
Of course, the most important ingredient in the furniture industry’s success was its people. Without workers to build the railroads, harvest and haul the timber, and make the final product, the industry would never have existed in Lenoir and other areas of Western North Carolina (WNC).
While the most common explanation for the near death of the industry is the passage of international trade agreements about 20 years ago, those arguments overlook the fact that Lenoir and the region had failed to diversify its economy. In short, it relied upon a mono-economy. It has been argued that the reason furniture dominated the region is simple – crony capitalism. In other words, furniture industry leaders ensured that local elected officials supported their efforts to keep other industries out, hence keeping wages artificially low and company profits high.
While these are topics we will explore in much greater detail in a forthcoming documentary and series of articles, it is clear to anyone driving through Lenoir or nearby towns that the region is at a tipping point. In some ways, uptown Lenoir is thriving, due largely to a strong arts and music community. Still, even uptown is struggling, as evidenced by the numerous empty buildings. Even more startling are the site of shuttered factories along U.S. 321-A and other roads leading out of town. One might point to the many fast-food restaurants and similar businesses along U.S. 321 heading to Blowing Rock as signs of economic progress, but frankly, those businesses pay minimum wage and create a littered landscape of neon signs that discourages visitors to look for, let alone find, uptown.
Still, we are hopeful. We are impressed with the many shop owners, artists, musicians and others working tirelessly to maintain the entrepreneurial spirit essential to any community’s success. Indeed, we will be profiling these businesses and individuals so that we can share their insights and experiences. In doing so, we hope that not only will these organizations and folks receive your support, but will inspire others to act upon their dreams – dreams that will ensure that Lenoir and WNC recovers.
However, to do so, our young people must stay. The decisions that our young adults make over the next few years will determine the future of Lenoir and WNC. Clearly, the past reliance upon a mono-economy hit this area hard. So, economic diversification and sustainable development are essential for Lenoir – now.
So, as we embark upon the series of stories about the many great people working hard to make Lenoir thrive – not just survive – we are seeking input from our readers, especially those under 35. We have one simple question for you: Are you planning on staying in Lenoir/WNC, or are you planning on leaving?
To answer that question, you can participate in this poll.
Comments are encouraged as well. And, if you are an entrepreneur, musician, artist or craftsperson, we want to hear what you are up to. You can contact us here.
© The Lenoir Voice, 2016
On Twitter: @lenoirvoice
(Editor’s note: As we recently announced, the Appalachian Chronicle launched a sister online newspaper, The Lenoir Voice, in North Carolina. This article is published in full there).
Before jumping on the natural gas bandwagon, North Carolinians need to know that the shale fields of Central Appalachia are a living hell because of fracking and pipeline development
“And who is my neighbor?” (Luke 10:29b)
By Michael M. Barrick
CHARLOTTE, N.C. – North Carolina-based Duke Energy, Virginia-based Dominion Energy, Inc. and its partners announced on March 22 that it has closed deals to sell virtually all of the natural gas expected to flow through the proposed Atlantic Coast Pipeline (ACP), which will originate in Harrison County, W.Va. – if approved.
And there is the catch. The ACP has yet to receive approval from the Federal Energy Regulation Commission (FERC). However, this latest announcement is just the most recent of a barrage of press releases during the past few years, as Duke Energy and its partners have been playing the “inevitability” card on this controversial project since it was announced. It is marketing propaganda at its best, supported by ruthless and questionable legal tactics to squash all opposition.
So far, they’ve failed – at least at squashing a popular uprising among the residents along the pipeline’s proposed route. Read the full article.
© The Lenoir Voice, 2016
On Twitter: @lenoirvoice
Roots music, including folk, country, bluegrass and alternative rock, guide band making a name for themselves in Western North Carolina
LENOIR, N.C. – When Andrew Massey was struggling to get a start in Lenoir as a musician a couple of years ago, he did something a bit unusual to find folks that would join him to form a band – he posted a plea on Craig’s List.
Massey explained, “I was encouraged by Anna, my wife, to play out more. So, I started at Open Mike Night at 1841 Café about two years ago. Nobody was showing up. I made a flyer and put it on Craig’s List under the music section and that week Cory Kinal showed up. We like to joke and say we met on Craig’s list with ‘No strings attached.’” He continued, “I was excited that somebody my age was there. As soon as he started playing I knew I wanted to be in a band with that guy. We started jamming together and I went and bought an upright bass in South Carolina so we could start an acoustic band.” Read the entire article here.
Believing the gospel is one thing, living it is quite another
By Andrew Massey
HICKORY, N.C. – Though I worked well past midnight on Sunday, I woke up at 7:00 Monday morning determined to witness history, so I drove to the Donald Trump rally at Lenoir-Rhyne University. My thoughts about what I would experience when I got there were about as clear as fog-covered U.S. Route 321. I had quite a bit of anxiety and apprehension about the day, as this was my first jaunt into political activism of any kind.
Due to the media coverage I had watched about the Trump rally that was shut down in Chicago only days before, I was incredibly surprised at the quiet stillness of both the protesters and the Trump supporters when I arrived around 8 a.m. Aside from the chatter in the line of hundreds of people snaking through the campus and the whisper of hymns coming from the protesters, the scene was very calm. Read the full article here.
World War II veteran Robert “Bob” Morgan captivates audience at Caldwell Heritage Museum’s ‘Coffee with the Curator’
By Michael M. Barrick
LENOIR, N.C. – Speaking conversationally with remarkable recall, captivating memories and fascinating details, Caldwell County resident Robert “Bob” Morgan enthralled the audience of about three dozen at the monthly “Coffee with the Curator” event at the Caldwell Heritage Museum.
Mr. Morgan, 91, relaxed in an easy chair as if sitting in his living room. Gesturing with his hands, eyes sparkling, he preceded many of his stories saying, “Back in those days…” He punctuated his storytelling with numerous pauses followed by, “Now, that’s a story in itself.” And off he would go, telling the story that had interrupted his thought, wrap it up, and then return to the previous recollection. Read the entire article here.