Gathering ‘Round the Open Mic
Wednesday night at Liquid Roots about building community
By Michael M. Barrick lenoirvoice@gmail.com
LENOIR, N.C. – Since the first European settlers put down roots in Lenoir and other areas of Caldwell County, music has been part of daily life. Neighbors have, do and will continue to gather on front porches with string instruments handed down through the generations.
However, musicians have always also been part of the community’s arts scene. With the opening of the Liquid Roots Brewing Project at 1048 Harper Ave. NW in Lenoir, a vibrant new venue has been established for this rich tradition to grow.
The Benson, a jazz/rock duo from Western North Carolina – consisting of A.J. Herrick and Daniel Reece – host the Wednesday evening open mic. Herrick is excited about the brewery’s future. “I recently moved from Houston where I was performing in the Houston music scene for four years. Having been away from North Carolina, I grew to miss my home and am now beyond excited to be able to do what I love in the state that I love, specifically Lenoir.” He continued, “I do have a vision and so do the other local musicians in Lenoir, and we want to help grow Lenoir through our music, and bring folks in. Since being back, I have a huge passion for seeing the potential that Lenoir has become a reality.”
He continued, “The open mic is a platform that Daniel and I are very fortunate to have, and we want to use it to bring in more talent from all over. We also encourage all age groups and all types of art, whether music, poetry, storytelling, comedy, etc. We just want people to come together and make the arts in general and build a community.”
It seems to be working. Below are photos from some of the musicians that were at last week’s open mic. At least one other person took time for story-telling.
The Benson open the evening with a short set, then open the mic to others.
A.J. plays.
Daniel demonstrates his intensity.
Dwight McGlynn plays one of his original tunes.
William Ritter, self-taught on the fiddle, came in from Patterson for the fun.
Patrick Crouch, seemingly everywhere, dropped by to share a tune or two.
The open mic is every Wednesday from 7 – 10 p.m.
© Michael M. Barrick, 2019. Note: This is part 2 of a 2-part story. Part 1, a feature about the owners of Liquid Roots Brewing Project, can be read here.
Choosing Lenoir
Indiana natives find Lenoir ‘A Very Welcoming Town,’ move here, and establish Liquid Roots Brewing Project
By Michael M. Barrick lenoirvoice@gmail.com
LENOIR, N.C. – During the summers of 2002 and 2003, Taylor Brummett, then a college student, drove the Blue Ridge Parkway. He immediately fell in love with the North Carolina mountains and resolved then to someday settle somewhere along the Parkway in the Tar Heel State.
It took a while, but Brummett has realized his dream. Taylor, along with his wife Katie, and Katie’s brother and sister-in-law, Tommy and Jamie Brubaker, moved to Lenoir late last year and opened Liquid Roots Brewing Project at 1048 Harper Ave. NW.
In a recent interview, the four Indiana natives cited Lenoir’s people, energy and natural beauty as reasons for choosing the town to raise their families and launch their business. Katie is 38, Taylor 37, Tommy 36, and Jamie 33.
While their Grand Opening is scheduled for March 30-31, the family business has already earned quite a following and has become a gathering spot to enjoy a great beer while listening to live music and the spoken word during Wednesday’s open mic night; listening to some of the region’s best musicians on Friday and Saturday night; playing family games on Tuesday evening; or, see what “Kick the Keg” specials are available on Thursday evenings. They’re closed on Sunday and Monday.
While they don’t serve food, there is a food truck – A Taste of Culture owned by Seth Nash – that is parked on their property on their busiest nights.
Sharing his thoughts about why the business is off to a solid start, Taylor said, “Life’s all about relationships. Lenoir’s people are awesome.”
Katie added, “With music, it’s been crazy. There are so many musicians.” Consequently, between booked acts on Friday and Saturday, and those that meander in on open mic night, there is a wide variety of music available for everyone. Virtually every form of American Roots music, as well as some world music, has already been heard on the small stage occupying a corner near the front door.
Taylor added, “There is an insane amount of talent here. That is something we are very proud to be part of.” He continued, “People are coming to us. The energy is building. The town has given us energy, and we are cycling it back out. We have already made lots of friends.”
Jamie echoed that sentiment, sharing, “In three months of living here we made more friends than while living in Tennessee for two years.” Tommy added, “You can’t go anywhere without running into people you know.” Taylor summarized, “Lenoir is a very welcoming town. Everybody’s been welcoming.”
Still, the decision to choose Lenoir was not inevitable. Every attempt at starting a business in Indiana fell through for one reason or another shared Taylor. “So, I started hunting around on the internet for towns along the Blue Ridge Parkway in North Carolina.” After watching a UNC-TV program featuring nationally acclaimed Lenoir-based folk artist Charlie Frye and seeing how close Lenoir is to the Blue Ridge Parkway, they decided a visit to Lenoir was in order.
Taylor said, “We were trying to decide if Lenoir was a place we’d want to live and raise our children.” The first day they visited was a Sunday. “We thought no one lived here. Then we learned that Lenoir is just quiet on Sunday,” recalled Taylor. So, they hung around, visited local businesses and attractions during the week. Impressed by Lenoir’s energy and welcoming people – and a suitable location – they made an offer on the building they now occupy and moved their families here.
It wasn’t a tough call. Jamie shared, “We all love the mountains. We’re all small-town people too. It just works.”
As much as there is to enjoy in and around Lenoir, right now they’re all a bit busy, as the Liquid Roots Brewing Project is an “all hands on deck” endeavor.
Taylor is the brewer, or the “beer nerd.” He shared, “I’ve been a jack of all trades. But brewing is the rabbit hole I went down. I like making things from scratch and things that people enjoy.” He first tried brewing about 15 years ago, set it aside for a season, then picked it back up about 6 years ago and has consistently worked on learning the trade. Though he is self-taught, he credited a brewery in Sparta, Tenn. with allowing him to learn all he could from them. Jamie said, “We call him a mad scientist.” Tommy added, “Taylor’s beer is so good, it would be crazy not to do it.”
Katie handles special events, marketing, music, office duties and whatever else is required. Most recently a stay-at-home mom, she said adjusting to a busy business has been a challenge.
Jamie, a nurse in a local hospital, says, “I just show up and say I’m here. What project needs my work?”
Tommy is the self-described utility man. Technically the bar manager, he shared, “Anything I can do to get Taylor’s beer off and running is what I’m all about.” Katie, nodding towards Tommy, said, “Look at that face. That’s the face you want behind a bar.” Jamie added, “He never gets angry.”
The business, said Taylor, “Allows us to express who we are. There is energy and community built into the brewery scene. It’s a legitimate gathering spot for the people in Lenoir to enjoy.” He noted that they are fortunate to be able to build on what is already here. He said, “We want to supplement what’s here.”
Katie called it an extension of home and Tommy said that, “It’s cool to see people establish friendships over beer and conversation.”
Though they started the business to brew their own beer, they have started out as a taproom while they were awaiting all the appropriate licenses, which they’ve gotten. Taylor said, of the business name, “One of our friends suggested we not use the name because it sounds like we’re not finished. Well, we’re not. We’re always growing.”
Indeed, though they had a soft opening getting to know the community, their Grand Opening is scheduled for March 30-31. Several food trucks and bands are scheduled for the two-day event. Their families will also be in town to help.
First, though, a St. Patrick’s Day celebration will be held this Saturday, March 16. Mark Galleshaw will be performing traditional Irish music, and J.J. Hipps and Darren Bryant will also be performing. There will also be a foot truck rodeo with three food trucks.
Opening as a taproom has proven beneficial, shared Jamie, “We are getting to know the beer that people enjoy. There are a lot of craft beer fans.” Taylor added that the knowledge they’ve gained will help them in the transition of replacing some of the guest taps with their own brews.
So, while they still have a way to go, they are also pleased with where they are. “We’ve heard it’s a lot like Cheers, and that’s exactly what we want to hear. We want it to be like sitting around the kitchen table,” said Jamie.
Want to know more?
To learn more about Liquid Roots Brewing Company, visit them on Facebook, email liquidrootsbrewing@gmail.com, or call 828-572-1106.
Note: This is part 1 of a 2-part article. Part 2, about Open Mic night at Liquid Roots, will be published tomorrow.
© Michael M. Barrick, 2019.
My White. Male. Privileged. Life.
What happened to being judged by the content of our character?
LENOIR, N.C. – This past weekend, I had a long, enjoyable conversation with a dear friend. We make sort of an odd couple, which I love. We have the same general worldview, but we don’t have similar backgrounds. He is rational; I’m emotional.
So, it helps that he is patient and accepts that I get a bit passionate sometimes.
Like this weekend, when he hit me with all the benefits I enjoy from my White. Male. Privilege.
I did not and do not dispute that I am a beneficiary of my birth. I know of instances that I have enjoyed the benefit of the doubt from a police officer that a black person, for instance, would not enjoy.
Still, I will admit to becoming somewhat defensive at his remarks. I simply denied that my birth defined my character.
You can decide for yourself by reading on.
In November 1998, I was elected to the Caldwell County Board of Education. I was sworn into office sometime in early December. My first act as a school board member was to use the bully pulpit of the Lenoir News-Topic. In that op-ed, I called for a ban of the Confederate flag on school grounds – t-shirts, hats, flags in trucks, it didn’t matter. My reason was simple. I knew that it was generally being used as a symbol of intimidation, if not outright hate.
The reaction to my essay was fast and furious. Had I written it a few days before Election Day, I would not have been elected. I heard the usual arguments – the flag is our heritage. The Civil War was about state’s rights, not slavery. While there are thin slivers of truth to the latter argument, it is not the motivating factor to fly the rebel flag in Caldwell County.
This is how I know. After that column was published in the newspaper, I attended my very first Caldwell County Republican Executive Committee meeting (for being a Republican, I plead temporary insanity). Anyway, the first order of business was for the party to present me with a Confederate flag with black letters emblazoned across it saying, “Hell No I Won’t Come Down.” Though I was initially stunned, I quickly recovered. I replied, “I accept this in the spirit in which it is offered.”
Frankly, I don’t think too many people there got what I meant so let me make it clear now. Hate. That flag was given to me in the spirit of hate.
Then, after two-and-a-half years of sitting on the school board, I realized I was in the wrong place in the school system. I wanted to teach again. Fortunately, it worked out for me and I ended up at South Caldwell High School, where there were about 1,400 white students and one black student. There was also a small population of students from Mexico and Central America (and no, I didn’t check papers for ICE, nor would I ever).
From the first day, I would challenge the students that were wearing rebel flags on t-shirts as they walked into my classroom, asking them why they were doing so. To a person, I got the answer, “It’s our heritage.” So, I immediately peppered them with questions about their “heritage.” I would ask, among other things:
- What heritage are you celebrating?
- Who were the leaders of that heritage?
- What was the objective of that heritage?
- Do you know the context of that heritage in relationship to our nation’s founding and economic growth?
- Have you considered how that image might affect others in this school that recoil – maybe even in fear – at seeing you wear that shirt?
And on the questions went until they slid into their seat, mute. I might have made them think, but now, as I look around Caldwell County, I kind of doubt it. At the end of the Civil War, Union soldiers called Lenoir “The damedest little rebel town.” I wasn’t here in 1865, but I’d be willing to bet there are as many – if not more – Confederate flags flying in Caldwell County right now, especially when one counts the license plates and bumper stickers.
Now, let me pause and say I believe the First Amendment offers protection to people who wish to fly the rebel flag on private property or affix a rebel flag on their truck bumper.
However, as a school board member and a teacher that wanted a safe classroom, civil discussion, and most importantly – an accurate portrayal of history – allowing that flag to fly in our schools was too much then and it’s too much now. It is an affront to education and terrifying to minority children.
I admit to being born White. Male. Privileged. However, I was raised to overcome that by a whole village of elders, teachers and neighbors.
Now then, how did a White. Privileged. Male. get to this point?
It’s how the hell I was raised. I was born in Harrison County, West Virginia. It was the hotbed of anti-secessionist movements when Virginia seceded from the Union. Eventually, many of West Virginia’s first leaders would come out of Harrison County.
Additionally, my great-great-great-great grandfather established the first Union newspaper in Morgantown in 1862, while it was still part of Virginia. That took gumption. That blood – or should I say ink – runs in my veins.
So, I admit to being born White. Male. Privileged. However, I was raised to overcome that by a whole village of elders, teachers and neighbors.
It is true, that when I was born, I had to be with my mom. She was white, as was my dad.
But you must also remember that it was Martin Luther King Jr. who challenged us to judge one another by our character. In fact, I developed a week-long study of the life and literature of Dr. King for my sophomore English students. As powerful as his “I Have a Dream” speech was for the students, what really started to challenge their outlook was reading his “Letter from Birmingham Jail.”
Oh, and my wife just reminded me of some writing I did while at the News-Topic as a reporter in the mid-1990s. I met with elders in the black community about the many challenges facing it, and I was surprised to find many within the community critical of it; yes, they talked with hard experience of suffering under white, male, privilege. But they also argued that the generations behind them had to continue the battle to overcome it.
So yes, it’s a long struggle. But I, by my birth, did not contribute to it. I have, however, to the best of my ability, helped how I could through what talents I have, to counter it.
© Michael M. Barrick, 2018. Top photo is part of the inscription on the Confederate Monument in Lenoir. Flags are on home near downtown Lenoir. Historical marker is in downtown Lenoir. Other Confederate flags in the public domain. Martin Luther King Jr. photo in the public domain.
First Bands of Rain from Florence Arrive Softly in WNC
Deceptively gentle rain, light wind gusts first indicators of monster storm
By Michael M. Barrick
LENOIR, N.C. – The first bands of rain from Tropical Storm Florence began dropping gentle rain and rustling trees with light wind gusts shortly after noon here today.
Still, forecasters at Ray’s Weather Center point out that the likelihood of heavy rain tonight and tomorrow along with life-threatening flash flooding remains. Rainfall amounts could range from 2 to 10 inches, with areas south and east of the Blue Ridge Escarpment most at risk. This includes the northern half of Caldwell County.
Today, however, felt much like a spring rain, so I got out to take a few photos during the “calm before the storm.”
Do not be deceived though. Take all of the precautions that emergency preparedness officials issue. Remember, “It’s not nice to fool with Mother Nature.”
© Michael M. Barrick, 2018.
Flowers at the J.E. Broyhill Walking park soak up the first raindrops from Florence
The ducks found the park pretty much to themselves
Clouds swirl around Hibriten Mountain
Gentle rain falls on the lake at J.E. Broyhill Walking park
Caldwell JAM Students, Country Duo Round Out Showcase
Annual event offers rich diversity of talent for music lovers
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.
JAM Members play for North Carolina’s legislators on ARTS DAY
LENOIR, N.C. – Students learning from the very best of traditional musicians in Caldwell County will be entertaining guests in the stained-glass lobby of the J.E. Broyhill Civic Center as they arrive for the 19th annual Caldwell Traditional Musicians Showcase. The students are members of Caldwell Junior Appalachian Musicians (JAM). Additionally, Blackberry Jam, a small group from Caldwell JAM will play on stage after intermission. It includes Kemdyn Koehler, Avery Sigmon Dalton Sigmon, Jacob Robbins, and Gideon White. Kay Crouch of the host group Strictly Clean and Decent shared, “We welcome these young ‘JAMers’ to the stage.”
She explained, “JAM is a low-cost, after-school program designed to teach traditional music to children by ear, in order to preserve the oral tradition, and also to give them opportunities to play in both large and small groups.”
According to the Caldwell Arts Council website, “Caldwell JAM … is a program of the Caldwell Arts Council teaching students age 7-17 to play guitar, mandolin, banjo and fiddle with a heavy emphasis on playing traditional and bluegrass music by ear. The classes are taught by some of the region’s most talented artists, many of whom grew up playing old-time or bluegrass. Students also learn about the history of the music, take field trips to music venues, and spend time with musical elders from the community. Caldwell JAM classes are offered at Granite Falls Elementary, Happy Valley K-8, Hudson Elementary, and at in downtown Lenoir in old-time guitar, fiddle, and mandolin.”
JAM Students at MerleFest 2016
Also sharing the stage will be Lenoir residents Darren Bryant and Justin Clyde Williams, playing country music. According to their Facebook page, Bryan and Williams describe themselves as, “just two guys livin’ out their dreams, pickin’ and singin’ for your entertainment.” Patrick Crouch offered that the humble description, “ … belies the dedication to their craft which make them two of the most in-demand musicians in Caldwell County. Their unpretentious, ‘what you see is what you get’ sensibility makes them both handmade and heartfelt.”
(Bryant and Williams) are two of the most in-demand musicians in Caldwell County. Their unpretentious, ‘what you see is what you get’ sensibility makes them both handmade and heartfelt.” – Patrick Crouch
In an earlier interview, Crouch explained the genesis of this year’s theme. “Some years I have the title in my brain and then get the musicians that fit. This year, however, I had this group of people who I love and admire as people and musicians that I’ve been wanting to get on the show. So, it will feature various styles of music – some is original, but all comes from the heart.”
The Showcase is scheduled for tomorrow, Saturday, March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.
The Lenoir Voice, 2017.
The Lenoir voice on Facebook
On Twitter: @lenoirvoice
Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase
Sycamore Bones Just Keeps Creating: Lenoir-based trio bringing their own brand of music to annual Caldwell Showcase
Just Don’t Throw Tomatoes: Max Waters personifies talent, humility and humor that makes the Caldwell Traditional Musicians Showcase a success
Ridgeline Brings ‘High Lonesome Sound’ to Showcase: Influenced by bluegrass greats, Ridgeline plays a hard-driving style
Showcase Performers
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Strictly Clean & Decent
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be emcee.
Ridgeline Brings ‘High Lonesome Sound’ to Showcase
Influenced by bluegrass greats, Ridgeline plays a hard-driving style
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.
LENOIR, N.C. – Just like so many of the musicians that perform in the annual Caldwell Traditional Musicians Showcase, many of the members of the bluegrass band Ridgeline hold down other jobs that help pay the bills. That does not mean, however, they don’t entertain with enthusiasm and excellence; in fact, it is the passion for the music despite often having to work other jobs – that “handmade and heartfelt” approach to creating it – that has been a primary reason why the Showcase is completing its 19th straight year as an annual event in Lenoir.
Ridgeline features Tim Greene on mandolin and guitar, April Flanders on fiddle, Mike Nelson on banjo, Larry Wright on bass, Jim Matheson on guitar, and Jimmy Houston on guitar. Also joining them for the Showcase will be David Parker on mandolin. Kay Crouch, of host group Strictly Clean and Decent, has written this of Ridgeline in her program notes: “The band plays hard-driving bluegrass and bluegrass gospel music that is representative of the ‘high, lonesome sound.’ She added, “Their heartfelt delivery is the cornerstone of every Ridgeline performance.”
They’re just a great group of folks that make up the group Ridgeline. I’m very pleased with the team I’ve got together.” – Tim Greene
Greene expressed delight at the current Ridgeline lineup. “We have a great group of musicians with us. Most of us also manage careers as well. April, for example, is a professor at Appalachian State University. They’re just a great group of folks that make up the group Ridgeline. I’m very pleased with the team I’ve got together.”
He added, “I’ve been playing 23 years professionally. This is the lineup we’ve had for two years and I am very much pleased. The original band was Carolina Harvest. Two of the original members have passed on, so we changed the group’s name. Those folks were Clarence Greene and Doug Greene.”
Nancy Posey playing the mandolin. She will serve as emcee for the Showcase. Photo by David Courtner.
Greene has a long history in the genre, traveling here and yonder to play. “I used to travel. I played with the James King Band. I played with David Parmley and Continental Divide. There are so many to mention.”
While he does write music, Greene shared, “We will play some original music, and we do a lot of cover tunes right now.” He revealed, “We are in the process of writing and a recording our own CD. It’s taking time but we want to get it right. We want people to enjoy it. We want to be happy with it.”
I saw Doyle Lawson and Quicksilver when I was young. It was the original band. That experience told me right there what I wanted to do.” – Tim Greene
Ridgeline draws from a long line of famous bluegrass musicians. Greene shared that Nelson’s banjo playing is influenced by the legendary Earl Scruggs. The group is also influenced by the work of J. D. Crow. Greene recalled, “I saw Doyle Lawson and Quicksilver when I was young. It was the original band. That experience told me right there what I wanted to do.” He was also influenced by the Osmond Brothers. “There harmony is so pure, which is essential to bluegrass.” He continued, “April likes the old traditional music as well. She’s kind of in to some folk music as well. My step-dad and his daddy played the fiddle. They played a lot with Doc Watson when he was growing up.” He added, “Larry is steeped in the music of IIIrd Tyme Out, Ralph Stanley, Lou Reid and Carolina, and The Country Gentlemen. They influence us all. They were bluegrass icons. We look up to those guys.”
As a result, Greene is hopeful that those influences – familiar also to much of the audience – will resonate with those in the seats. “We want the audience to experience good wholesome music. We want them to enjoy themselves. We enjoy ourselves as we perform. When they come to a Ridgeline show, I want them to be pleased with the music and the show we put on. We don’t want to come off as better than anyone else. We just want to get out there and do the best we can for the folks.”
The grand finale from a previous Caldwell Traditional Musicians Showcase
Greene expressed joy at the opportunity to play in the Showcase. “I was born and raised here in Caldwell County. Larry and Mike were born and raised here. It’s a big deal for us, especially for me because I’ve played the music so long as I’ve traveled the United States and Canada over and over. I finally get to play in front of the hometown crowd. It’s a real honor. The others feel the same way. We’re all proud to play in front of the home town folks. It’s the first time for all of us.”
He concluded, “Patrick and Kay and I have been friends for a long time. I’m thankful Patrick asked us to be part of it. It’s going to be good. I hope we have a big crowd. It’s going to be fun.”
© The Lenoir Voice, 2017.
The Lenoir voice on Facebook
On Twitter: @lenoirvoice
Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase
Sycamore Bones Just Keeps Creating: Lenoir-based trio bringing their own brand of music to annual Caldwell Showcase
Sycamore Bones on stage. From left, Abigail Taylor, Cory Kinal and Andrew Massey.
Just Don’t Throw Tomatoes: Max Waters personifies talent, humility and humor that makes the Caldwell Traditional Musicians Showcase a success
Showcase Information and Performers
The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be emcee.
Just Don’t Throw Tomatoes
Max Waters personifies talent, humility and humor that makes the Caldwell Traditional Musicians Showcase a success
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.
LENOIR, N.C. – In addition to “Handmade & Heartfelt” for themes for this year’s Caldwell Traditional Musicians Showcase, perhaps humility and humor should be added also. That is because that is what Max Waters, who plays traditional southern gospel music, brings to the Showcase.
He also brings a ton of talent, 50 years of experience, and the respect of his peers.
Yet, when asked what he hopes the audience will experience from his performance at the Showcase, Waters said, “Well, it would be nice if no one threw tomatoes.”
I just hope the audience has half the fun listening as I expect to have playing.” – Max Waters
He added, “Other than that, I don’t think the couple of numbers I’ll be doing will be a life-changing experience for anyone. Getting to play along with Strictly Clean and Decent will be a great experience and I just hope the audience has half the fun listening as I expect to have playing.”
If longevity is any indication, his set will be a hit. He explained, “Herb Miller, who was a member of the first quartet in which Lenoir native George Younce sang, introduced me to traditional southern gospel music when I was an 18-year-old boy. I’ve spent the past 50 years accompanying groups and singers in that particular genre.”
Kay Crouch, of host group Strictly Clean and Decent, has written this of Waters in her program notes: “Max is the consummate southern gospel pianist. He has a long history with Strictly Clean and Decent, having performed with Patrick’s uncle Cole Crouch in The Messengers, and with Ron’s brother George Shuffler in The Shuffler Family Band, as well as with many others. His playing is heavily influenced by many genres outside of gospel music but it is his joy and contagious enthusiasm that delight his audiences and colleagues alike.”
Max is the consummate artist who plays his instrument flawlessly and totally understands ensemble playing. Max’s joy and enthusiasm is more than contagious. It is a pure delight to share the stage with him.” – Patrick Crouch
Patrick Crouch added, “My Uncle Cole Crouch played music with Max many years ago in the Messengers Gospel group. He talked endlessly about Max’s musical knowledge and his mastery of the piano. Uncle Cole loved Max for his music and for his attitude toward fellow musicians. I had the pleasure of playing music with Max a few years ago and experienced everything my uncle had told me. Max is the consummate artist who plays his instrument flawlessly and totally understands ensemble playing. Max’s joy and enthusiasm is more than contagious. It is a pure delight to share the stage with him.”
Explaining why he enjoys gospel music, Waters explained, “Every song turns out to be a mini message in a powerful format. Some people will come listen to gospel music that would never put their foot in a church door. Gospel has the essence of blues, country and some traditional music. It’s not the same every time. And for me anyway, it is forever challenging.”
He explained, “I do like to do my own arranging, keeping the recognized melody in place but adjusting the harmony (re-harmonization) seems to freshen-up the old familiar hymns.”
Max Waters
Playing in the Showcase is meaningful for Waters for a number of reasons. He explained, “I was born in the Kings Creek community of Caldwell County in 1948 and today live in the Kings Creek community not a quarter mile from where I was raised. Having traveled around the world numerous times I can say without hesitation that, as far as I am concerned, no place compares with the quality of life we experience in this part of God’s green earth.”
He continued, “The Showcase is special to me because it gives me the opportunity to play along with Patrick of Strictly Clean and Decent, whose uncle Cole Crouch was my musical mentor. Cole passed away some time ago, but make no mistake about it – the man was a musical genius whose guitar work was among the best in the business.”
He concluded, “I just appreciate the opportunity to play with Strictly Clean and Decent. I have traveled all over. It is quite a pleasant experience to play again with Patrick. It’s going to be a whole lot of fun.”
© The Lenoir Voice, 2017.
The Lenoir voice on Facebook
On Twitter: @lenoirvoice
Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase
Sycamore Bones Just Keeps Creating: Lenoir-based trio bringing their own brand of music to annual Caldwell Showcase
Showcase Information and Performers
The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Strictly Strings as seen on the cover of their album, ‘High on a Mountain.’ Photo by Martin Church.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be emcee.
NC-based Sycamore Bones Just Keeps Creating
Trio bringing their own brand of music to annual Caldwell Traditional Musicians Showcase
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.
Sycamore Bones on stage. From left, Abigail Taylor, Cory Kinal and Andrew Massey.
LENOIR, N.C. – A few years ago, Andrew Massey was desperate. He wanted someone to play music with. His wife, Anna, was encouraging him to find more outlets to play the music he was beginning to write and sing. Finding a partner, though, isn’t easy. Especially when one is new to the community; breaking into a tight-knit musical scene isn’t always easy.
So, he put an ad on Craig’s List. Cory Kinal saw it, reached out to Andrew, and they’ve been playing together since. In short, even though Massey jokes the arrangement is “no strings attached,” he acknowledged, “We started jamming together and I went and bought an upright bass in South Carolina so we could start an acoustic band.”
That they did. Through a series of discussions, they settled on the name Sycamore Bones. In order to focus on those acoustic roots, the band recently added Abigail Taylor.
Massey, a vocalist who plays bass, is straightforward in his description of the band’s focus. “I would describe us as an Americana band, which is just a fancy way of saying that we take our style from a lot of different types of American roots music – Country, Blues, Bluegrass, Rock & Roll. We even like to believe there is a little bit of Punk rock in there somewhere.”
Kinal’s description is a bit more nuanced. “It’s hard to say what kind of music we play, we combine so many genres that its easiest to just call it ‘Americana,’ but I feel like that’s such a broad term. We play folk, Alt-country, bluegrassy, foot-stompin’ old-time. We play a little of everything everyone would like – or we hope they do.”
Kinal plays guitar, sings lead and, in his words, “sings sweet, sweet harmonies to the beautiful voices of my fellow bones.”
Kinal added that the band truly is hard to define. “It’s hard to describe the music of a band who plays a song about a newlywed couple promising each other everything in life then dying in a train crash, and then follows that with an uplifting song about not letting life’s worries and problems get you down.” He explained, “It’s like we’re working in unison to even each other out; it’s nice to sing some harmony on a song of happiness, when you’ve just sung a song of hard times and sorrow.”
Cory Kinal (left) and Andrew Massey are the founding members of Sycamore Bones.
The purpose of the band’s music is clear, insisted Kinal, even if it is complex. “I hope our music exemplifies life, maybe not at its greatest, but at its deepest.” That’s why he said he doesn’t have a favorite song from their repertoire. “It changes daily or maybe weekly. I love seeing someone in the audience really get into a song. It gives me even more of a connection with the lyrics I’m singing.” He added, though, “I’d say right this very minute my favorite song is ‘Saint Sophia.’ On the outside it’s about Saint Sophia and her three daughters, Faith, Hope and Charity who met horrific fates, but really I use their story to portray different aspects of my life, my own thoughts of faith, hope, love and charity.”
Taylor has been friends with Massey and Kinal for a few years now. She shared, “Andrew and Cory are a great mixture. Cory’s this poetic northerner and Andrew’s a heart-on-his-sleeve southerner. You’ve got kind of a gothic Country/Americana from Cory’s side and a wailing rockabilly from Andrew’s side.” She added, “I tie the two sides together with bluesy harmonies, and the occasional tambourine.”
Massey added, “We all love so many different types of music so to narrow down influences is a little hard. I know John Prine and Bob Dylan would be the first two guys I would mention. A few of my personal influences are also bands like Wilco, or the Clash and guys like Tom Waits.” He continued, “When I was 18 or 19 Bob Dylan blew my mind! This is probably the reason I picked up acoustic guitar and started writing songs. Something about those first few albums he had was like going to church for me. The simplicity and the faults in his voice, the way he used words really all connected with me.”
I’ve … been lucky enough to be surrounded by a huge amount of people that appreciate live music and support it every chance they can.” – Cory Kinal
Kinal explained why the moniker “Heartfelt” fits the music of Sycamore Bones as well as does the description, “Handmade.” He shared, “Everything, every style, every song is played with pure emotion. My influences are from punk to bluegrass and every branch of music connected to both of them. I’m proud to be surrounded by talented musicians and have been my entire life. But it’s not just the musicians that have been the greatest influences on why I play the music I do. I’ve also been lucky enough to be surrounded by a huge amount of people that appreciate live music and support it every chance they can. Without my family and my friends, I wouldn’t have had the courage or talent to start a band that plays mostly original music.”
Strictly Clean and Decent (Kay Crouch, Patrick Crouch, and Ron Shuffler, r) are hosting their 19th Annual Caldwell Traditional Musicians Showcase
Still, the enjoyment of writing and playing original music is essential for Sycamore Bones. As Kinal shared, “I want to experience a relationship with every song we play and every audience that listens. There’s a certain feeling you get when you play an original song and you see people really connecting to it. I want people to have fun, to listen to the lyrics, the music, and really get as much joy out of our performance as we do.”
Taylor’s influences were somewhat different. “I grew up on Rhythm & Blues and Jazz; I didn’t start listening or playing the kind of music we’re playing until I went to college in Western North Carolina, where it’s everywhere! My singing style is still heavily influenced by R&B and Jazz singers. But I like to think it adds something just a little different to the guys’ sound.”
Each of the band members expressed confidence in Caldwell County’s future because of the Showcase, and spoke also of the privilege of performing in it.
Massey said, “I just want to thank anyone in the community who creates music, art, or owns a small business. It’s these people that make us who we are as a community and create a culture that we can take pride in. Keep creating!”
Taylor noted, “The showcase is a yearly staple of Caldwell County. So it’s just exciting to be a part of that tradition, and to also be a part of an event that people of all ages come to experience. We hope it remains a yearly tradition and that it continues to grow.”
Kinal continued, “We were all super excited to be asked to play the Showcase. I remember Massey saying that we’ve kind of ‘made it’ in Caldwell when Patrick and Kay ask you to play alongside the county’s best musicians. It means everything to us that they would like our music and performance enough to ask us to be part of their lineup.” He added, “Caldwell County’s story is so similar to my rust belt upbringing, so close to where I grew up that it has the same feeling for me as a town 500 miles away that influences many of my lyrics.”
Massey said the Showcase is critical to the community because, “Music keeps life worth living. It’s exciting when a whole community gets together to support that cause.” Taylor simply added, “I second what Andrew said.”
Massey concluded, “I think the goal for all of us is that people connect with lyrics of the songs. We all want people to feel what we sing and the words we write. I think that may be the most gratifying part of performing.”
© The Lenoir Voice, 2017.
The Lenoir voice on Facebook
On Twitter: @lenoirvoice
Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
Strictly Strings Carrying on the Old-Time Tradition: Boone-based group brings energy, excellence and creativity to Showcase
Showcase Information and Performers
The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be emcee.
Editor’s note: Abigail Taylor is also co-owner of The Lenoir Voice.
Strictly Strings Carrying on the Old-Time Tradition
Boone, N.C. -based group brings energy, excellence and creativity to Showcase
By Michael M. Barrick
Note: This is another installment in a series about the 19th Annual Caldwell Traditional Musicians Showcase – ‘Handmade & Heartfelt.’ A list of previous articles is below. The Showcase is scheduled for Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center.
Strictly Strings as seen on the cover of their album, ‘High on a Mountain.’ Photo by Martin Church.
BOONE, N.C. – Though Watauga County is home for Strictly Strings, the group clearly has a natural home in the 19th Annual Caldwell Traditional Musicians Showcase. The five-member band has connections to Caldwell County through the Boone campus of Caldwell Community College & Technical Institute. That is not all though. The group’s enthusiasm for traditional music clearly marks their music as heartfelt.
Indeed, the group’s enthusiasm for – and mastery of – traditional music is apparent in its newly released album, “High on a Mountain.” The title track can be heard on the band’s website. It includes 16 songs, most of which are covers of traditional Appalachian music, but also includes some original work as well. In another connection to Caldwell County, the album was recorded and engineered by Patrick Crouch in Lenoir at Ticknock Studio.
Strictly Strings is Kathleen Burnett on fiddle and vocal, Anissa Burnett on bass, fiddle and vocal, Willow Dillon on fiddle, cello, banjo, and vocal, and Caleb Coatney on mandolin, guitar and banjo. As the senior member of the group, Cecil Gurganus holds down the rhythm guitar and vocals.
Strictly Srings. Photo by Martin Church.
Gurganus, who moved to Watauga County in 1976, began to teach fiddle classes in the Boone Junior Appalachian Musicians (JAM) Program about a decade ago. He shared, “Strictly Strings band came out of our many years together in the classes, as well as their interest in all the other instruments.” He added that the members are determined to create “diversity for themselves.” He explained, “While we started out as an old-time fiddlers and string band – hence, ‘Strictly Strings’ – these young musicians are consistently seeking out a variety of musical tastes, including great vocals.” That explains the assertion on the group’s website, “Strictly Strings is no longer strictly strings.”
Also according to its website, “The group … has blossomed into an exciting multi-faceted band, enjoying the genres of old time, bluegrass, Irish, and swing, all topped off with fresh harmony vocals.”
Strictly Strings on stage. Photo by Lonnie Webster.
Gurganus shared how he came to appreciate the music of the region after moving to Watauga County from South Carolina to help teach a class on traditional instrument building with Stanley Hicks. He said, “I played music in the Blowing Rock bar scene to make some cash. I was learning to play the fiddle, thinking bluegrass.” But, he continued, “What I found in the mountains of Watauga was a rich heritage of old-time music, fiddling, banjo picking (clawhammer style), ballads and dancing. I met many traditional musicians who had never been recorded, the exception being Doc Watson, of course.”
Gurganus continued, “The depth of the non-commercial old-time fiddling struck a chord with me, and I took the old-time path, away from the more commercial radio music called bluegrass. And, actually, there is a great deal of crossover between the genres. One person described the difference as ‘bluegrass showcases the individual musician, old-time music showcases the tunes.’”
He added, “I was a part of the Laurel Creek String Band, which played around Boone for old-time dances, weddings, ASU events, parties, and just for our own pleasure. So my influences were the older generation local musicians I met or listened to such as Doc Watson, Fred Price, Clint Howard, Ora Watson, Glenn Bolick, Stanley Hicks, and those I met in the numerous fiddlers’ conventions around the region.”
Through Strictly Strings, Gurganus is passing along that heritage. He shared, “I hope we can showcase the talents of these young musicians, and to honor them as the next generation carrying on traditional music in any genre. We are honored for Patrick Crouch to have asked us to be a part of this amazing and diverse group of musicians in the Showcase.”
Strictly Strings. Photo by Martin Church.
Following are brief biographies of each of the band members (to read the entire biographies, visit the group’s website).
Cecil Gurganus – Guitar, Vocals: Cecil has been a part of the old time music community in Watauga County since 1976, playing fiddle in the Laurel Creek String Band. He has been an instructor in the Watauga Junior Appalachian Musicians (JAM) Program at the Jones House in Boone since its inception in 2006. As fiddle instructor and mentor for the young members of Strictly Strings for more than five years, Cecil has seen these JAM students come full circle, as they have become a working, performing band, including beautiful vocals, and now teaching him tunes!
Kathleen Burnett – Fiddle, Vocals: Kathleen was born and raised in the mountains of Boone. She began playing the fiddle and singing at the age of 5, and has grown up performing in several local bluegrass and old-time bands. At age seven, Kathleen began instructional classes in the Boone JAM program, which has been an integral part of her musical growth, as well as performing with her sisters in The Burnett Sisters. Kathleen plays the fiddle and guitar, and is the lead singer for Strictly Strings. Currently, she is enrolled in Caldwell Community College, and plans to pursue a B.A. in Old time/Bluegrass/Country music at East Tennessee State University.
Anissa Burnett – Bass, Fiddle, Vocals: Dedicated to learning and performing traditional old-time music, Anissa has also developed an interest in jazz, bluegrass, Celtic, gospel, and other genres of music rooted in the south and Appalachians. She has absorbed much of her music while growing up in Boone, being involved with the JAM program as well as attending many local festivals and gatherings.
Willow Dillon – Banjo, Fiddle, Vocals: Willow spent the years of her early childhood in Hawai’i, where she was introduced to the world of music through ukulele and keyboard lessons. She soon developed a strong passion for music when she moved back to the mainland and enrolled classical violin lessons at her local school. After her first session, her teacher decided to teach her old-time style fiddle instead. When Willow was introduced to the old-time fiddle style she knew that that was the style she wanted to play. When her family moved to Boone, she found the JAM program and started learning traditional Appalachian fiddle from all of the instructors there. … Willow picked up the banjo a few years after learning fiddle and has mostly taught herself to play banjo with the help of a few friends and teachers along the way. After playing banjo for almost a year, she grew an endless passion for the clawhammer style.
Caleb Coatney – Mandolin, Banjo, Guitar: Caleb has played music since he was five, when he started learning piano. Soon after, he began participating in the JAM program at the Jones House in Boone. There, he started on mandolin, but quickly added guitar and clawhammer banjo. Currently, he helps as a teaching assistant in these community classes for children and adults. Caleb has grown up playing traditional old-time, bluegrass, and Irish tunes, but he also plays rock music. During the summer, Caleb enjoys competing at fiddler’s conventions, where he’s placed high in several mandolin and banjo competitions.
© The Lenoir Voice, 2017.
The Lenoir voice on Facebook
On Twitter: @lenoirvoice
Previous 2017 Showcase Articles
Handmade & Heartfelt: Theme of 19th Annual Caldwell Traditional Musicians Showcase inspired by area musicians
Jimmie Griffith Exemplifies Showcase Theme: Music is handmade in Caldwell County and is heartfelt from his native Brazil
Nancy Posey Bringing Her Humor and Wit to Showcase: Calls her role as emcee a mere ‘footnote’ to the Caldwell Traditional Musicians Showcase
Showcase Information and Performers
The 19th Annual Caldwell Traditional Musicians Showcase will be on Sat., March 11 at 7:30 p.m. at the J.E. Broyhill Civic Center. Purchase tickets here from the Civic Center.
This year’s concert will include eight groups or individuals. The total of musicians performing will be around two dozen, in addition to JAM members.
Strictly Clean and Decent with Kay and Patrick Crouch and Ron Shuffler.
Caldwell Junior Appalachian Musicians performing traditional string music.
Ridgeline: A bluegrass band featuring Jim Matheson on guitar, Mike Nelson on banjo, Tim Greene on mandolin and guitar, April Flanders on fiddle, Larry Wright on bass, and Jimmy Houston on guitar.
MaisCeu featuring multi-instrumentalist Jimmie Griffith performing Brazilian music.
Max Waters playing Southern gospel, jazz, and blues piano.
Strictly Strings performing old time and contemporary string band music. The band is Kathleen Burnett on fiddle and guitar, Anissa Burnett on bass and fiddle, Willow Dillon on banjo, fiddle, bass, and cello, Caleb Coatney on mandolin, banjo, and guitar, and Cecil Gurganus on guitar, fiddle, and bass.
Sycamore Bones with Cory Kinal, Andrew Massey, and Abigail Taylor performing original music.
Darren Bryant and Justin Clyde Williams performing country music.
Nancy Posey will be emcee.
A Question Facing All of Appalachia
Will our young people stay or go? (An article from our sister publication, The Lenoir Voice)
LENOIR, N.C. – From the time that narrow-gauge railroad lines were built into the mountainous regions of Caldwell County in the late 19th Century – in particular near Edgemont and Mortimer – the furniture industry dominated the economy of Lenoir for a century. The hardwood forests of the slopes of the Blue Ridge Escarpment provided the most important raw product.
Workers at Jennings Furniture of Lenoir in an undated photo. Courtesy of Caldwell Heritage Museum.
Of course, the most important ingredient in the furniture industry’s success was its people. Without workers to build the railroads, harvest and haul the timber, and make the final product, the industry would never have existed in Lenoir and other areas of Western North Carolina (WNC).
While the most common explanation for the near death of the industry is the passage of international trade agreements about 20 years ago, those arguments overlook the fact that Lenoir and the region had failed to diversify its economy. In short, it relied upon a mono-economy. It has been argued that the reason furniture dominated the region is simple – crony capitalism. In other words, furniture industry leaders ensured that local elected officials supported their efforts to keep other industries out, hence keeping wages artificially low and company profits high.
While these are topics we will explore in much greater detail in a forthcoming documentary and series of articles, it is clear to anyone driving through Lenoir or nearby towns that the region is at a tipping point. In some ways, uptown Lenoir is thriving, due largely to a strong arts and music community. Still, even uptown is struggling, as evidenced by the numerous empty buildings. Even more startling are the site of shuttered factories along U.S. 321-A and other roads leading out of town. One might point to the many fast-food restaurants and similar businesses along U.S. 321 heading to Blowing Rock as signs of economic progress, but frankly, those businesses pay minimum wage and create a littered landscape of neon signs that discourages visitors to look for, let alone find, uptown.
Still, we are hopeful. We are impressed with the many shop owners, artists, musicians and others working tirelessly to maintain the entrepreneurial spirit essential to any community’s success. Indeed, we will be profiling these businesses and individuals so that we can share their insights and experiences. In doing so, we hope that not only will these organizations and folks receive your support, but will inspire others to act upon their dreams – dreams that will ensure that Lenoir and WNC recovers.
However, to do so, our young people must stay. The decisions that our young adults make over the next few years will determine the future of Lenoir and WNC. Clearly, the past reliance upon a mono-economy hit this area hard. So, economic diversification and sustainable development are essential for Lenoir – now.
So, as we embark upon the series of stories about the many great people working hard to make Lenoir thrive – not just survive – we are seeking input from our readers, especially those under 35. We have one simple question for you: Are you planning on staying in Lenoir/WNC, or are you planning on leaving?
To answer that question, you can participate in this poll.
Comments are encouraged as well. And, if you are an entrepreneur, musician, artist or craftsperson, we want to hear what you are up to. You can contact us here.
© The Lenoir Voice, 2016
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